古马其顿的爱奥尼克艺术和文字:起源、媒介、效果

Tekmeria Pub Date : 2024-02-02 DOI:10.12681/tekmeria.36758
Angelos Boufalis
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引用次数: 0

摘要

人们普遍认为,马其顿在古风时代晚期受到东希腊的影响。这种观点形成于数十年前,当时所依据的证据很少,但后来通过反复论证而得到确立,尽管越来越多的报告和公布的发现表明情况并非如此,但这种观点依然存在。在本文中,我打算对这一观点提出质疑,并在更广泛的北爱琴海背景下重新审视古代马其顿的爱奥尼亚影响问题。为此,本文回顾了相关证据,重点是爱奥尼克风格的雕塑作品和爱奥尼克文字的铭文,同时还考察了以亚历山大一世为名的钱币。简而言之,现有的证据并不支持马其顿在古风时代晚期受到东希腊的广泛影响,并认为爱奥尼克艺术是通过斯特里莫尼湾的基克拉泽斯殖民地传入马其顿的;马其顿的爱奥尼克文字铭文主要是由这些殖民地的爱奥尼亚人撰写的;亚历山大一世钱币上使用的可能是中部而非东部的爱奥尼克文字。
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Ionic Art and Script in Archaic Macedonia: Origin(s), Medium(s), Effect(s)
It is widely assumed that Macedonia in the late Archaic period was under East Greek influence. This view was formed decades ago, based on scant evidence, but has since been established through repetition and persists despite the growing number of reported and published finds that indicate otherwise. In this paper I intend to challenge this opinio communis and to reframe the issue of Ionic influence in archaic Macedonia within the wider Northern Aegean context. To this end, the relevant pieces of evidence are reviewed, focusing on works of sculpture in the Ionic style and inscriptions in Ionic script, but also examining the coinage in the name of Alexander I. In short, it is demonstrated that the available pieces of evidence do not support widespread East Greek influence in Macedonia in the late Archaic period and it is argued that it was rather through the Cycladic colonies in the Strymonic Gulf that Ionic art reached Macedonia; that mostly Ionians from these colonies were responsible for the inscriptions in Ionic script in Macedonia; and that it was possibly a Central, not East, Ionic script that was employed on Alexander I’s coinage.
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