{"title":"视觉艺术家的左手偏好:在 Instagram 上进行的预注册观察研究。","authors":"Åsne Røsvoll, Emilie H Rusten, René Westerhausen","doi":"10.1080/1357650X.2024.2315856","DOIUrl":null,"url":null,"abstract":"<p><p>The notion of an increased incidence of left handers among architects and visual artists has inspired both scientific theory building and popular discussion. However, a systematic exploration of the available publications provides, at best, modest evidence for this claim. The present preregistered observational study was designed to reinvestigate the postulated association by examining hand preference of visual artists who share their artistic activities as short video clips (\"reels\") on the social media platform Instagram. Determining individual hand preference based on five reels for each of N = 468 artists, we identified 42 (8.97%) left handers, suggesting an incidence which is below but statistical comparable to the 10.6% expected for the general population (<i>χ</i><sup>2</sup> = 1.30; <i>p</i> = .25; Cohen's <i>w</i> = 0.05). Also, we did not find any support for the notion that the art created by left-handed artists is of higher quality than art of right handers, as no difference in public endorsement or interest were observed (reflected by the number of likes per post or account followers). Taken together, we do not find any support for difference in artistic engagement or quality between left and right handers.</p>","PeriodicalId":47387,"journal":{"name":"Laterality","volume":null,"pages":null},"PeriodicalIF":0.9000,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Left-hand preference in visual artists: A pre-registered observational study on Instagram.\",\"authors\":\"Åsne Røsvoll, Emilie H Rusten, René Westerhausen\",\"doi\":\"10.1080/1357650X.2024.2315856\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>The notion of an increased incidence of left handers among architects and visual artists has inspired both scientific theory building and popular discussion. However, a systematic exploration of the available publications provides, at best, modest evidence for this claim. The present preregistered observational study was designed to reinvestigate the postulated association by examining hand preference of visual artists who share their artistic activities as short video clips (\\\"reels\\\") on the social media platform Instagram. Determining individual hand preference based on five reels for each of N = 468 artists, we identified 42 (8.97%) left handers, suggesting an incidence which is below but statistical comparable to the 10.6% expected for the general population (<i>χ</i><sup>2</sup> = 1.30; <i>p</i> = .25; Cohen's <i>w</i> = 0.05). Also, we did not find any support for the notion that the art created by left-handed artists is of higher quality than art of right handers, as no difference in public endorsement or interest were observed (reflected by the number of likes per post or account followers). Taken together, we do not find any support for difference in artistic engagement or quality between left and right handers.</p>\",\"PeriodicalId\":47387,\"journal\":{\"name\":\"Laterality\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2024-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Laterality\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://doi.org/10.1080/1357650X.2024.2315856\",\"RegionNum\":4,\"RegionCategory\":\"心理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"2024/2/28 0:00:00\",\"PubModel\":\"Epub\",\"JCR\":\"Q4\",\"JCRName\":\"PSYCHOLOGY, EXPERIMENTAL\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Laterality","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1080/1357650X.2024.2315856","RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2024/2/28 0:00:00","PubModel":"Epub","JCR":"Q4","JCRName":"PSYCHOLOGY, EXPERIMENTAL","Score":null,"Total":0}
引用次数: 0
摘要
在建筑师和视觉艺术家中,左撇子的比例越来越高,这一说法既激发了科学理论的构建,也引发了大众讨论。然而,对现有出版物的系统研究充其量只能为这一说法提供少量证据。本研究是一项预先登记的观察性研究,旨在通过考察在社交媒体平台 Instagram 上以视频短片("reels")形式分享其艺术活动的视觉艺术家的手部偏好,来重新研究这一假设关联。我们根据 N = 468 名艺术家每人的五部短片来确定个人的手部偏好,发现了 42 名(8.97%)左撇子,这表明左撇子的发生率低于一般人群的预期 10.6%,但在统计学上具有可比性(χ2 = 1.30;P = .25;Cohen's w = 0.05)。此外,我们也没有发现左撇子艺术家的艺术作品比右手艺术家的艺术作品质量更高这一观点得到任何支持,因为我们没有观察到公众认可度或兴趣方面的差异(反映在每篇帖子的点赞数或账户粉丝数上)。综上所述,我们没有发现左撇子和右撇子在艺术参与度或艺术质量方面存在任何差异。
Left-hand preference in visual artists: A pre-registered observational study on Instagram.
The notion of an increased incidence of left handers among architects and visual artists has inspired both scientific theory building and popular discussion. However, a systematic exploration of the available publications provides, at best, modest evidence for this claim. The present preregistered observational study was designed to reinvestigate the postulated association by examining hand preference of visual artists who share their artistic activities as short video clips ("reels") on the social media platform Instagram. Determining individual hand preference based on five reels for each of N = 468 artists, we identified 42 (8.97%) left handers, suggesting an incidence which is below but statistical comparable to the 10.6% expected for the general population (χ2 = 1.30; p = .25; Cohen's w = 0.05). Also, we did not find any support for the notion that the art created by left-handed artists is of higher quality than art of right handers, as no difference in public endorsement or interest were observed (reflected by the number of likes per post or account followers). Taken together, we do not find any support for difference in artistic engagement or quality between left and right handers.
期刊介绍:
Laterality: Asymmetries of Body, Brain and Cognition publishes high quality research on all aspects of lateralisation in humans and non-human species. Laterality"s principal interest is in the psychological, behavioural and neurological correlates of lateralisation. The editors will also consider accessible papers from any discipline which can illuminate the general problems of the evolution of biological and neural asymmetry, papers on the cultural, linguistic, artistic and social consequences of lateral asymmetry, and papers on its historical origins and development. The interests of workers in laterality are typically broad.