{"title":"鲁本斯的《玛丽-美第奇》系列中头饰的神圣作用","authors":"Kristina af Klinteberg","doi":"10.1080/00233609.2024.2321954","DOIUrl":null,"url":null,"abstract":"In the 24 paintings for the French Queen Marie de’ Medici, painted by Peter Paul Rubens 1622−1625, historic facts are depicted in the shape of mythological gods and symbols resulting in allegorical...","PeriodicalId":501539,"journal":{"name":"Konsthistorisk tidskrift/Journal of Art History","volume":"29 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Divine Role of the Diadem in Rubens’s Marie de’ Medici Cycle\",\"authors\":\"Kristina af Klinteberg\",\"doi\":\"10.1080/00233609.2024.2321954\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the 24 paintings for the French Queen Marie de’ Medici, painted by Peter Paul Rubens 1622−1625, historic facts are depicted in the shape of mythological gods and symbols resulting in allegorical...\",\"PeriodicalId\":501539,\"journal\":{\"name\":\"Konsthistorisk tidskrift/Journal of Art History\",\"volume\":\"29 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Konsthistorisk tidskrift/Journal of Art History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00233609.2024.2321954\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Konsthistorisk tidskrift/Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00233609.2024.2321954","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在彼得-保罗-鲁本斯（Peter Paul Rubens）1622-1625年为法国王后玛丽-美第奇（Marie de' Medici）绘制的24幅画作中，历史事实被描绘成神话中的神灵和符号，形成了寓言式的...
The Divine Role of the Diadem in Rubens’s Marie de’ Medici Cycle
In the 24 paintings for the French Queen Marie de’ Medici, painted by Peter Paul Rubens 1622−1625, historic facts are depicted in the shape of mythological gods and symbols resulting in allegorical...
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