{"title":"神话与尺度七十年代绘画","authors":"Lawrence Rinder","doi":"10.1002/ad.3037","DOIUrl":null,"url":null,"abstract":"<p>Many of the 1970s’ drawings of Lebbeus Woods feature disguised human form. The most classical physiognomies maintain links with a primordial, even reptilian antipode. <b>Lawrence Rinder</b>, Director Emeritus of the University of California, Berkeley Art Museum and Pacific Film Archive, explores the manifestations of figure in Woods's private mythology, and points to the uncanny synergy of its themes and compositions with works by Giambattista Tiepolo.</p>","PeriodicalId":46951,"journal":{"name":"ARCHITECTURAL DESIGN","volume":"94 2","pages":"74-83"},"PeriodicalIF":0.3000,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Myth and Measure: Drawings of the 1970s\",\"authors\":\"Lawrence Rinder\",\"doi\":\"10.1002/ad.3037\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>Many of the 1970s’ drawings of Lebbeus Woods feature disguised human form. The most classical physiognomies maintain links with a primordial, even reptilian antipode. <b>Lawrence Rinder</b>, Director Emeritus of the University of California, Berkeley Art Museum and Pacific Film Archive, explores the manifestations of figure in Woods's private mythology, and points to the uncanny synergy of its themes and compositions with works by Giambattista Tiepolo.</p>\",\"PeriodicalId\":46951,\"journal\":{\"name\":\"ARCHITECTURAL DESIGN\",\"volume\":\"94 2\",\"pages\":\"74-83\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-03-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARCHITECTURAL DESIGN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1002/ad.3037\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHITECTURAL DESIGN","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1002/ad.3037","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
Many of the 1970s’ drawings of Lebbeus Woods feature disguised human form. The most classical physiognomies maintain links with a primordial, even reptilian antipode. Lawrence Rinder, Director Emeritus of the University of California, Berkeley Art Museum and Pacific Film Archive, explores the manifestations of figure in Woods's private mythology, and points to the uncanny synergy of its themes and compositions with works by Giambattista Tiepolo.
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Provocative and inspirational, AD inspires theoretical, creative and technological advances. It questions the outcome of technical innovations as well as the far-reaching social, cultural and environmental challenges that present themselves today. -Having taken a pivotal role in the digital revolution in architecture in the 90s, AD provides must-have, cutting-edge content for students of architecture, academics and architects globally -Provides one of the most penetrating, insightful and in-depth views of key architectural topics today. Dares to ask why things are as they are, as well as tracing the latest trends. -One of the only truly international perspectives on architecture. It draws together worldwide architectural currents, regularly featuring work and practices from the UK, Europe, Americas, Asia and Australia. -Fully illustrated throughout in colour, AD provides an essential visual reference for architects and students. Each issue is individually art directed and designed to visually inspire.
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