重新审视乡土电影中的标题设计:电影符号学分析

Rani Preethi M, Mahalakshmi Selvaraj
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摘要

印度电影是指自古以来在印度制作的电影,对世界电影产生了巨大影响。印度电影包括各种地区语言,其中泰米尔语电影以泰米尔语制作,观众非常广泛。它展示了各种有趣的视觉文化模式。电影海报在展示这些视觉文化方面起着至关重要的作用,是一部电影的灵魂所在。电影海报与印度电影有着根深蒂固的关系,而这些海报的重要组成部分之一就是标题设计。标题设计是电影故事的代名词,旨在创造一种视觉力量。在数字时代,标题设计焕然一新。新的图形技术、富有表现力的排版、构图和色彩的使用,尤其在新时代的电影标题设计中产生了持久的影响。当前的研究旨在使用符号学方法研究科莱坞电影海报中的标题设计。分析基于以下几个方面,如结构参数、与电影主题的关系、使用环境和制作技术。
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REVISITING TITLE DESIGN IN VERNACULAR CINEMA: A CINE SEMIOTIC ANALYSIS
Indian cinema is a term that refers to films made in India since time immemorial and has greatly influenced world cinema. Indian Cinema includes various regional languages and among them is Tamil cinema that produces films in the Tamil language with a very wide audience. It showcases varied and interesting patterns of visual culture. Film posters play a vital role in exhibiting these visual cultures and serve as the essence of a film’s soul. Film posters have a deep-rooted relationship with Indian cinema and one of the important parts of these posters is the title design. Title designs are synonymous with the story of the film with a view to create a visual force. The title designs have a modern facelift in the digital era. The use of new graphic techniques, expressive typography, composition, and color creates a lasting impact particularly in new age film title designs. The current research aims to examine the title designs in Kollywood film posters using a semiotics approach. Analysis is done based on the following aspects such as structural parameters, relationship with the theme of the film, context of use and production techniques.
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