永远存在的过去

Q2 Arts and Humanities IASPM Journal Pub Date : 2024-03-18 DOI:10.5429/2079-3871(2024)v14i1.5en
James Millea
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引用次数: 0

摘要

本文探讨了保罗-麦卡特尼作品中的年龄。文章探讨了麦卡特尼在其职业生涯的关键时刻,是如何通过与自己的青年时代的持续接触来塑造他的音乐作品和相应的视觉效果的。它特别关注麦卡特尼自我命名专辑的延伸三部曲,这三部曲在他最近发行的两张专辑《麦卡特尼 III》(Capitol 2020 年)和《麦卡特尼 III Imagined》(Capitol 2021 年)中达到高潮。本文从流行音乐研究的角度,特别关注保罗-麦卡特尼在音乐中的声音和在音乐录影带中的形象,探讨麦卡特尼的专辑是对流行音乐中年龄角色的独特表述。
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An Ever Present Past
This article explores age in the work of Paul McCartney. It investigates how McCartney’s ongoing engagement with his own youth has shaped his musical output and accompanying visuals at key points throughout his career. It focuses specifically on the extended trilogy of self-titled McCartney albums, which culminate in two of his most recent releases, McCartney III (Capitol 2020) and McCartney III Imagined (Capitol 2021). Concentrating specifically on Paul McCartney’s voice in his music and image in music videos, from a popular music studies perspective, this article explores the McCartney albums as a distinct statement on the role of age in popular music.
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
30 weeks
期刊最新文献
An Ever Present Past On Dissonant Landscapes: Tore Størvold and Susan O’Shea, in conversation “I Make My Own Time”: Julio Valverde’s Temporal Agency Through Musicking Still Here? Aging Female Vocalities in Musical Theatre. Aging, Nostalgia and Older Punk Women’s Fandom.
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