{"title":"\"我也要用我的贫穷，买下你所有的悲伤\"：伊朗的塔塔鲁和塔塔鲁粉丝团","authors":"Behrang Nikaeen","doi":"10.1080/03007766.2024.2327019","DOIUrl":null,"url":null,"abstract":"This article explores the emergence of Tataloo and his fans, the Tatality subculture. I ask how the strong and incontestable relationship was constructed between them through social media, particul...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"31 1","pages":""},"PeriodicalIF":1.3000,"publicationDate":"2024-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“I’ll Also With My Poverty, Buy All Your Sadness”: Tataloo and the Tatality Fanbase in Iran\",\"authors\":\"Behrang Nikaeen\",\"doi\":\"10.1080/03007766.2024.2327019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores the emergence of Tataloo and his fans, the Tatality subculture. I ask how the strong and incontestable relationship was constructed between them through social media, particul...\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":\"31 1\",\"pages\":\"\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2024-03-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2024.2327019\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2024.2327019","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
“I’ll Also With My Poverty, Buy All Your Sadness”: Tataloo and the Tatality Fanbase in Iran
This article explores the emergence of Tataloo and his fans, the Tatality subculture. I ask how the strong and incontestable relationship was constructed between them through social media, particul...
期刊介绍：
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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