通过多媒体和虚拟戏剧表演《叶莫亚》和《我们的家庭秘密》中的 "无形 "内容

Abiola Olubunmi Adumati
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摘要

现代科技要求舞台表演数字化,尤其是在 21 世纪。尽管技术适用于许多行业,因为它能提高生产力和创造力,但与其他行业相比,戏剧行业似乎从技术中获益更多,因为数字设备的使用使该行业超越了实体舞台,也使舞台戏剧在媒体领域大受欢迎。正是在这一前提下,本研究探讨了 "多媒体戏剧和虚拟戏剧 "在艾哈迈德-耶里马的《耶莫亚》和比奥拉-阿杜马蒂的《我们的家庭秘密》的表演中让无形变为有形的探索。研究结果表明,尼日利亚舞台上的许多话剧导演在话剧导演过程中尝试使用多媒体和虚拟剧场,从而提高了作品的质量。一些艺术总监利用这些制作技术,在现场表演时通过投影向观众讲述倒叙故事,还有一些导演利用同样的技术创造出在舞台上似乎不可能出现的场景,如海上或火灾现场。因此,本文的结论是,使用多媒体戏剧技术来讲述剧中隐藏的故事,让不可见的东西变得可见,可以让戏剧导演艺术变得更加容易。
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Performing the ‘Invisible’ in Yemoja and ‘Our Family Secret’ through multimedia and virtual theatre
Modern technology has necessitated the digitalisation of stage performances, especially in the 21st century. Although, technology applies to many industries as it enhances productivity and creativity, however, theatre industry seems to benefit from technology more than other industries as the use of digital devices has boosted the industry beyond the physical stage and it has also given stage theatre popularity in the media space. It is on this premise that this study examined the exploration of “Multimedia Theatre and Virtual Theatre” towards making the invisible visible in the performances of Ahmed Yerima’s Yemoja and ‘Biola Adumati’s ‘Our Family Secret.’ The findings from the study revealed that many play directors on the Nigerian stage have experimented with multimedia and virtual theatres in the process of play directing which have enhanced the quality of their works. These production techniques have been employed by some artistic directors to tell flashback stories by projecting them to the audience during live performances, some explored the same technology to create scenes that seemed impossible on stage such as sea or fire scenes. Hence, this paper concludes that the art of play directing can be a lot easier with the use of multimedia theatre technique to tell the hidden stories within the play and making the invisible visible.
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