观看科幻剧 , 观看电视

J. P. Telotte
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ABSTRACT: 在罗德-瑟林(Rod Serling)的里程碑式剧集《阴阳魔界》(The Twilight Zone)问世之前,独立辛迪加电视台 Ziv Television 制作了一部类似的严肃剧集《科幻剧场》(Science Fiction Theatre),挑战了《视频船长》(Captain Video)、《太空巡警》(Space Patrol)和《太空学员汤姆-科比特》(Tom Corbett)等广受欢迎的太空歌剧的电视霸权。该剧虽然只有 78 集,但却被广泛传播,并被配音成多种语言,为更多的电视观众带来了成人科幻故事。科幻剧场》还开创了媒体自我意识的先河,这种意识后来成为《阴阳魔界》和《超时空要塞》的标志,这也是它有别于那个时代其他电视科幻片的地方。在这一反思层面,我们可以看到该系列努力让观众意识到电视技术的潜力和缺陷,意识到他们作为观众的角色,以及电视行业对电视技术的使用和控制。总之,通过观看《科幻剧场》,观众常常被置于一种不寻常的、有时甚至是不舒服的境地,来审视自己与电视新媒体制度之间的关系。
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Watching Science Fiction Theatre , Seeing Television
ABSTRACT: Prior to the appearance of Rod Serling's landmark series The Twilight Zone , independent syndicator Ziv Television produced a similarly serious dramatic series, Science Fiction Theatre , that challenged the television hegemony of such popular space operas as Captain Video, Space Patrol , and Tom Corbett, Space Cadet . While lasting only 78 episodes, it was widely distributed and dubbed into many languages, bringing adult sf stories to a broader television audience than ever before. Further distinguishing it from other televised sf of the era, Science Fiction Theatre pioneered the sort of media self-consciousness that would later become a hallmark of The Twilight Zone and The Outer Limits . In that reflexive dimension we can see the series' efforts to make audiences aware of both the potentials and the pitfalls inherent in the still new television technology, of their own role as viewers, and of the industry's use and control over it. In sum, by watching Science Fiction Theatre , viewers were often put in the uncommon and sometimes uncomfortable position of seeing their relationship to the new media regime of television.
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