乔治-R.R.马丁的《与龙共舞》(2011)中强大的女性形象背后的厌女症痕迹

Maylda Auliffia Aztari
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摘要

尽管在实现性别平等方面取得了进展,但在当今社会,妇女仍然受到基于传统性别角色的骚扰。本研究旨在分析文学作品中对女性的描写或表现,以揭示文本中潜伏的厌女症。本研究使用的小说是乔治-R-R-马丁(George R.R Martin)的《与龙共舞》(A Dance with Dragons)(2011 年)。在小说中发现了代表性问题和厌女倾向。本研究采用女性主义方法进行定性研究,以实现研究目标,即了解小说中丹妮莉丝、艾莉亚和梅丽珊卓的表现方式,并找出丹妮莉丝、艾莉亚和梅丽珊卓为维护自身地位而做出的努力背后潜藏的厌女症。这一分析采用了德-波伏娃的第二性理论,即女性是 "他者"。研究显示,在乔治-R-R-马丁的《与龙共舞》小说中,在丹妮莉丝、艾莉亚和梅丽珊卓这三个强大的女性角色背后,潜藏着厌女症。小说中包含了几个厌恶女性描写的例子,其中一些包括物化女性、低估或贬低女性角色。
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Misogyny Traces Behind Powerful Female Representation In George R.R. Martin’s A Dance With Dragons (2011)
In spite of the progress made toward gender equality, women are still subject to harassment on the basis of the traditional gender roles in today's society. This research is intended to analyze the depiction or representation of women in literary work in order to reveal misogyny lurking in the text. The novel used in this research is A Dance with Dragons novel (2011) by George R.R Martin. The issue of representation and misogyny tendencies are found in the novel. Qualitative research with a feminist approach was applied for the purpose to find the research objective which is to know the way Daenerys, Arya, and Melisandre are presented in the novel and to identify the misogyny lurking behind Daenerys, Arya, and Melisandre’s efforts to maintain their position. This analysis employs de Beauvoir’s Second Sex theory of women as “The Other”. The research reveals that behind the three powerful female characters, there is misogyny lurking behind Daenerys, Arya, and Melisandre's efforts in maintaining their powerful representation in George R.R. Martin’s A Dance with Dragons novel. The novel contains several examples of misogynist depictions, some of which include the objectification of women and an underestimation or undervaluation of female characters.
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