通过几何变换探索地方文化:班尤马桑蜡染研究

Ifada Novikasari, Maghfira Febriana
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引用次数: 0

摘要

巴尤马蜡染是印度尼西亚巴尤马地区的文化遗产之一,具有独特而有趣的图案和花纹。本研究论文介绍了巴尤马桑蜡染中几何变换的数学模型。几何变换是一种改变平面上物体形状或位置的数学技术。这是一项采用人种学方法的定性研究。通过观察、访谈和文献收集数据。通过内容分析法对所获得的数据进行分析,以确定各种可转化为几何形式的巴尤马桑蜡染图案。本研究描述了基本的几何转换,即 Sekar Tirta 蜡染图案中的平移、Bawor Kembar 蜡染图案中的反射、Kawung Jenggot 蜡染图案中的扩张以及 Manggar Bawor 蜡染图案中的旋转,这些转换应用于巴纽马山蜡染图案。本研究的结果包括 Banyumasan 蜡染图案的几何变换,预计将对印尼艺术和文化(尤其是蜡染领域)的发展做出积极贡献,丰富人们对日常生活中数学应用的见解和知识,并可用于基于本地文化的数学建模和数学教育。
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Exploring Local Culture through Geometry Transformation: a Study of Banyumasan Batik
Banyumasan batik is one of Indonesia's cultural heritages from Banyumas Regency, which has unique and interesting patterns and motifs. This research paper describes the mathematical modelling of geometric transformations in Banyumasan batik. Geometric transformation is a mathematical technique for changing the shape or position of an object on a plane. This is qualitative research with an ethnographic approach. Data is collected through observation, interviews, and documentations. The data obtained were analysed using content analysis to identify various Banyumasan batik motifs that can be transformed into geometric forms. This study describes the basic geometric transformations, namely translations in Sekar Tirta batik motif, reflections in Bawor Kembar batik motif, dilations in Kawung Jenggot batik motif, and rotations in Manggar Bawor batik motif which applied to Banyumasan batik motifs. The results of this study include geometric transformations of Banyumasan batik motifs which are expected to positively contribute to the development of Indonesian art and culture, especially in the field of batik, enrich insight and knowledge about the application of mathematics in everyday life, and can be used for mathematical modelling and mathematics education based on local culture.
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