西顿-斯努克与虚构海滨小镇的建造

IF 0.5 4区 艺术学 0 MUSIC Tempo Pub Date : 2024-04-01 DOI:10.1017/s0040298223000955
Peter Falconer
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引用次数: 0

摘要

西顿斯努克曾是英国达勒姆郡海岸一个由渔民、铁匠、教师、海员、工人和音乐家组成的繁荣社区。然而,1968 年之后,政府记录和报纸报道中提及该镇的内容都已停止,而且显然也没有前居民仍然在世。这篇文章概述了 "西顿斯努克发生了什么事?"的创建过程,这是一个基于互联网的档案库,收录了该地区、居民和工人的声音和音乐,旨在为该镇及其所发生的事情绘制一幅画卷。在这项民族音乐学研究的近 100 件文物中,包括钢琴和大键琴作品、教学作品、声乐和诺桑比亚小风笛的民间曲调、铜管乐队音乐、德国摇滚乐、迷幻摇滚乐和磁带作品。档案中还收录了该镇历史上重要人物的传记和照片,以及与文物有关的专家访谈。该档案还试图研究英格兰东北部在经济和文化方面受到的忽视,以及我们围绕音乐所讲述的故事的重要性。
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SEATON SNOOK AND THE BUILDING OF A PARAFICTIONAL SEASIDE TOWN

Seaton Snook was a thriving community of fishermen, blacksmiths, teachers, seacoalers, labourers and musicians on the coast of County Durham, UK. After 1968, however, government records and newspaper reports referring to the town cease and there are, apparently, no former residents still living. This article outlines the creation of What Happened to Seaton Snook?, an internet-based archive of sounds and music from the area, its residents and its workers, devised to try and form a picture of the town and what happened there. Among the nearly 100 artefacts in this ethnomusicological study are pieces for piano and harpsichord, pedagogic works, folk tunes for voice and Northumbrian smallpipes, brass band music, Krautrock, psychedelic rock and works for magnetic tape. There are biographies and photographs of people key to the history of the town, and interviews with experts in matters pertaining to the artefacts. The archive also seeks to examine the economic and cultural neglect of the North East of England and the importance of the stories we tell around the music we make.

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来源期刊
Tempo
Tempo MUSIC-
CiteScore
0.30
自引率
0.00%
发文量
91
审稿时长
19 weeks
期刊介绍: Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.
期刊最新文献
‘I AM A TEXTURAL COMPOSER’: JANE STANLEY ON THE CREATIVE PROCESS, IMMERSIVE TEXTURES, GLOW AND A NEW SONG CYCLE THINKING ALOUD: THE SOLILOQUY CYCLE MOVEMENTS OF A MUSICIAN WORKING: PHILL NIBLOCK (1933–2024) PROPORTION AND SYMMETRY AS MUTUAL ANTAGONISTS IN TUNING: SOME QUARTER-TONE RESOURCES HABITUS, RESISTANCE AND THE PRODUCTION OF MUSICAL MEANING
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