{"title":"韦伯斯特的《马尔菲公爵夫人》（由雷切尔-巴格肖执导）评论，伦敦萨姆-沃纳梅克剧院，2024 年 3 月 20 日","authors":"Peter J. Smith","doi":"10.1080/17450918.2024.2337713","DOIUrl":null,"url":null,"abstract":"Published in Shakespeare (Ahead of Print, 2024)","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":"12 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2024-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Review of Webster’s The Duchess of Malfi (Directed by Rachel Bagshaw) at the Sam Wanamaker Playhouse, London, 20 March 2024\",\"authors\":\"Peter J. Smith\",\"doi\":\"10.1080/17450918.2024.2337713\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Published in Shakespeare (Ahead of Print, 2024)\",\"PeriodicalId\":42802,\"journal\":{\"name\":\"Shakespeare\",\"volume\":\"12 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-04-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shakespeare\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17450918.2024.2337713\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17450918.2024.2337713","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
期刊介绍：
Shakespeare is a major peer-reviewed journal, publishing articles drawn from the best of current international scholarship on the most recent developments in Shakespearean criticism. Its principal aim is to bridge the gap between the disciplines of Shakespeare in Performance Studies and Shakespeare in English Literature and Language. The journal builds on the existing aim of the British Shakespeare Association, to exploit the synergies between academics and performers of Shakespeare.
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