文化认同与现实反思:中韩灾难电影的共性与差异

Ren Hang, Zou Heng, Wang Yang
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引用次数: 0

摘要

灾难片作为一种经典电影类型,旨在通过震撼的视听效果和悲剧性的美学内核,展现灾难的本质和人性的光辉。中韩灾难片的共性在于关注灾难中的 "小人物",强调情感的 "柔性表达",采用平行叙事和因果循环的叙事策略。然而,由于两国电影工业体系和意识形态的差异,中韩灾难片在主题表达上也存在差异。中国灾难片往往具有强烈的民族主旋律以及爱国主义和家庭情感,而韩国灾难片则更注重揭露人性和反思社会。本文将探讨中韩灾难片在人物塑造、叙事视角、情感表达、社会价值等方面的共性与差异。
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Cultural Identity and Realistic Reflection: Commonalities and Differences in Chinese and Korean Disaster Movies
Disaster movies, as a classic film genre, aim to present the essence of disasters and the brilliance of humanity through stunning audio-visual effects and a tragic aesthetic core. The commonality between Chinese and Korean disaster movies lies in their focus on "little people" within disasters, emphasizing "soft expression" of emotions and adopting parallel narratives and causal loops in their storytelling strategies. However, due to differences in the film industry systems and ideologies of the two countries, Chinese and Korean disaster movies diverge in thematic expression. Chinese disaster films often feature a strong national main theme and sentiments of patriotism and family, whereas Korean disaster films focus more on exposing human nature and reflecting on society. This paper will explore the commonalities and differences between Chinese and Korean disaster movies in terms of character development, narrative perspective, emotional presentation, and social values.
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