"弗-罗扎诺夫的《孤独》和《落叶》被列为 "其他文学作品"

K. Pershina
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引用次数: 0

摘要

文章论述了罗扎诺夫(V.V. Rozanov)日记散文《孤独》和《落叶》中自传体写作的艺术组织特点。文章回顾了罗扎诺夫散文中与 "其他文学 "概念相关的体裁定义。分析的目的是确定日记写作主题组织的具体内容,这些内容与体裁标记一起,决定了所研究文本中纪实叙事的艺术价值。通过对罗扎诺夫的自述散文进行整体分析,可以得出《孤寂》和《落叶》在结构方面的一些重要特征:1)自传体叙事的作者以虚构文本作者外在定位的方式外在于他自己的存在;2)《落叶》中的 "生命外叙事 "与死亡和垂死的主题语境自然地联系在一起;3)在这些文本中,作者对纪实性写作的这种奇特的抽离,解释了罗扎诺夫日记散文的许多具体特征,如其语句的语义矛盾性、特殊的时序和称呼的特殊性。
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«Solitary» and «Fallen Leaves» by V. Rozanov as «other Literature»
The article deals with the peculiarities of the artistic organization of autodocumentary writing in thediary prose of V.V. Rozanov «Solitaria» and «Fallen Leaves». The article reviews the genre definitions of Rozanov's prose which correlate with the concept of «other literature». The purpose of the analysis is to identify the specifics of the subject organization of diary writing, which, along with genre markers, determines the artistic value of the documentary narrative in the texts under consideration. A holistic analysis of Rozanov's autodocumentary prose made it possible to formulate some important features of the architectonics of «Solitaria» and «Fallen Leaves»: 1) the author of the self-documentary narrative is extralocated to his own being in the way that is characteristic of the author's extralocation of a fictional text; 2) the «out-of-life narrative» in «Fallen Leaves» is naturally connected with the thematic contexts of death and dying; 3) this peculiar author's extralocation of the documentary writing in these texts explains many specific features of Rozanov's diary prose, such as the semantic ambivalence of his statement, a special chronotope, and the specifics of addressing.
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