父母不详......闻所未闻......":不是我和'母婴之家报告

IF 0.3 3区 艺术学 0 THEATER NEW THEATRE QUARTERLY Pub Date : 2024-04-29 DOI:10.1017/s0266464x2400006x
Shane O’Neill
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引用次数: 0

摘要

本文根据 2021 年 1 月发布的 "母婴之家报告 "重新解读了贝克特的剧本《不是我》(1972 年)。贝克特对詹姆斯-史密斯(James Smith)、克莱尔-威尔斯(Clair Wills)等人所说的爱尔兰的 "封闭建筑 "进行了拷问。在母婴之家 "与其他流浪者一起长大 "的莫斯吸收了宗教中关于罪与罚的观念。文章通过对部分段落的细读,探讨了《不是我》在多大程度上可以被解读为 "幸存者的证词",如提交给母婴之家调查委员会的证词。
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‘… parents unknown … unheard of …’: Not I and the ‘Mother and Baby Homes Report’

This article re-reads Beckett’s play Not I (1972) in the light of the ‘Mother and Baby Homes Report’, published in January 2021. Beckett interrogates what James Smith, Clair Wills, and others have referred to as Ireland’s ‘architecture of containment’. Mouth, ‘brought up … with the other waifs’ in a mother and baby home, absorbed religious notions of sin and punishment. Through a close reading of selected passages, the article considers to what extent Not I can be read as a ‘survivor’s testimony’ such as those given to the commission of investigation into mother and baby homes.

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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
45
期刊介绍: New Theatre Quarterly provides a vital international forum where theatrical scholarship and practice can meet and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies.
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