{"title":"日惹印尼艺术学院 Vocalista Harmonic 合唱团学生活动室音乐和非音乐合唱培训过程在阅读乐谱方面的效果","authors":"Eirene Garisi","doi":"10.18415/ijmmu.v11i5.5789","DOIUrl":null,"url":null,"abstract":"This study explores the effectiveness of choir rehearsal processes in the Student Activity Unit Vocalista Harmonic Choir (VHC) at the Indonesian Institute of the Arts Yogyakarta, particularly in music reading for both musical and non-musical members, as well as their interactions with the conductor. The research methodology employed is qualitative with an observational approach. Through participatory observation, the researcher concludes that musical members tend to be more confident in music reading and assist non-musical members. Conversely, non-musical members require additional time and practice to catch up with the repertoire. However, during the Voice In December (VID) concert, non-musical members demonstrate mastery of the material and adapt well alongside musical members, indicating the effectiveness of the choir rehearsal process in unifying the vocal quality of its members. Data collection involved note-taking, audio recordings, and video recordings during rehearsals and the concert. The findings suggest that musical choir members tend to aid non-musical members in learning, while non-musical members require extra effort to catch up with the repertoire. The conductor plays a crucial role in providing guidance and vocal technique training. The rehearsal outcomes demonstrate that non-musical members are capable of mastering the repertoire and participating effectively in concerts.","PeriodicalId":505942,"journal":{"name":"International Journal of Multicultural and Multireligious Understanding","volume":"24 19","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Effectiveness of Musical and Non-Musical Choir Training Processes in Reading Sheet Music at the Student Activity Unit Vocalista Harmonic Choir, Indonesian Institute of the Arts Yogyakarta\",\"authors\":\"Eirene Garisi\",\"doi\":\"10.18415/ijmmu.v11i5.5789\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study explores the effectiveness of choir rehearsal processes in the Student Activity Unit Vocalista Harmonic Choir (VHC) at the Indonesian Institute of the Arts Yogyakarta, particularly in music reading for both musical and non-musical members, as well as their interactions with the conductor. The research methodology employed is qualitative with an observational approach. Through participatory observation, the researcher concludes that musical members tend to be more confident in music reading and assist non-musical members. Conversely, non-musical members require additional time and practice to catch up with the repertoire. However, during the Voice In December (VID) concert, non-musical members demonstrate mastery of the material and adapt well alongside musical members, indicating the effectiveness of the choir rehearsal process in unifying the vocal quality of its members. Data collection involved note-taking, audio recordings, and video recordings during rehearsals and the concert. The findings suggest that musical choir members tend to aid non-musical members in learning, while non-musical members require extra effort to catch up with the repertoire. The conductor plays a crucial role in providing guidance and vocal technique training. The rehearsal outcomes demonstrate that non-musical members are capable of mastering the repertoire and participating effectively in concerts.\",\"PeriodicalId\":505942,\"journal\":{\"name\":\"International Journal of Multicultural and Multireligious Understanding\",\"volume\":\"24 19\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Multicultural and Multireligious Understanding\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18415/ijmmu.v11i5.5789\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Multicultural and Multireligious Understanding","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18415/ijmmu.v11i5.5789","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Effectiveness of Musical and Non-Musical Choir Training Processes in Reading Sheet Music at the Student Activity Unit Vocalista Harmonic Choir, Indonesian Institute of the Arts Yogyakarta
This study explores the effectiveness of choir rehearsal processes in the Student Activity Unit Vocalista Harmonic Choir (VHC) at the Indonesian Institute of the Arts Yogyakarta, particularly in music reading for both musical and non-musical members, as well as their interactions with the conductor. The research methodology employed is qualitative with an observational approach. Through participatory observation, the researcher concludes that musical members tend to be more confident in music reading and assist non-musical members. Conversely, non-musical members require additional time and practice to catch up with the repertoire. However, during the Voice In December (VID) concert, non-musical members demonstrate mastery of the material and adapt well alongside musical members, indicating the effectiveness of the choir rehearsal process in unifying the vocal quality of its members. Data collection involved note-taking, audio recordings, and video recordings during rehearsals and the concert. The findings suggest that musical choir members tend to aid non-musical members in learning, while non-musical members require extra effort to catch up with the repertoire. The conductor plays a crucial role in providing guidance and vocal technique training. The rehearsal outcomes demonstrate that non-musical members are capable of mastering the repertoire and participating effectively in concerts.