算法关注系统和写作即内容

Q1 Arts and Humanities Computers and Composition Pub Date : 2024-06-17 DOI:10.1016/j.compcom.2024.102862
Christine Masters-Wheeler
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引用次数: 0

摘要

本文探讨了算法注意力系统对数字环境中写作和人类互动的影响。作者以写作研究中关于修辞策略和批判性文学的现有学术成果为基础,讨论了算法注意力系统和写作即内容的惯例如何强化了人类注意力的特定观点。这种关注方式在涉及人际交流的社交媒体形式中尤其成问题。文章讨论了写作教师和研究人员未来可能的方向,以继续就算法注意力系统的伦理问题和将写作视为内容的替代方案展开对话。
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Algorithmic Attention Systems and Writing-as-Content

This article considers the influence of algorithmic attention systems on writing and human interaction within digital environments. Building on existing scholarship in writing studies on rhetorical strategies and critical literacies for algorithmic contexts, the author discusses how algorithmic attention systems and the conventions of writing-as-content reinforce a particular view of human attention. This approach to attention is especially problematic within forms of social media that involve interpersonal communication. The article discusses the possible future directions for writing teachers and researchers to continue conversations about the ethics of algorithmic attention systems and alternatives to thinking of writing as content.

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来源期刊
Computers and Composition
Computers and Composition Arts and Humanities-Language and Linguistics
CiteScore
4.30
自引率
0.00%
发文量
34
审稿时长
25 days
期刊介绍: Computers and Composition: An International Journal is devoted to exploring the use of computers in writing classes, writing programs, and writing research. It provides a forum for discussing issues connected with writing and computer use. It also offers information about integrating computers into writing programs on the basis of sound theoretical and pedagogical decisions, and empirical evidence. It welcomes articles, reviews, and letters to the Editors that may be of interest to readers, including descriptions of computer-aided writing and/or reading instruction, discussions of topics related to computer use of software development; explorations of controversial ethical, legal, or social issues related to the use of computers in writing programs.
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