{"title":"揭开欺骗的面纱：都灵裹尸布的解剖异常和艺术自由的研究方法","authors":"Elio Quiroga Rodríguez","doi":"10.1111/arcm.13014","DOIUrl":null,"url":null,"abstract":"The authenticity of the Shroud of Turin, also known as the ‘Síndone’ or ‘Holy Shroud’, faces significant doubt based on scientific evidence. Carbon‐14 testing conducted decades ago placed its origin in the Middle Ages, raising questions about its connection to Jesus Christ. This article highlights an anatomical anomaly: the hand placement covering the genitals appears inconsistent with human proportions, suggesting a possible artistic intervention.","PeriodicalId":8254,"journal":{"name":"Archaeometry","volume":"32 1","pages":""},"PeriodicalIF":1.5000,"publicationDate":"2024-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Unveiling deception: An approach of the Shroud of Turin's anatomical anomalies and artistic liberties\",\"authors\":\"Elio Quiroga Rodríguez\",\"doi\":\"10.1111/arcm.13014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The authenticity of the Shroud of Turin, also known as the ‘Síndone’ or ‘Holy Shroud’, faces significant doubt based on scientific evidence. Carbon‐14 testing conducted decades ago placed its origin in the Middle Ages, raising questions about its connection to Jesus Christ. This article highlights an anatomical anomaly: the hand placement covering the genitals appears inconsistent with human proportions, suggesting a possible artistic intervention.\",\"PeriodicalId\":8254,\"journal\":{\"name\":\"Archaeometry\",\"volume\":\"32 1\",\"pages\":\"\"},\"PeriodicalIF\":1.5000,\"publicationDate\":\"2024-07-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Archaeometry\",\"FirstCategoryId\":\"89\",\"ListUrlMain\":\"https://doi.org/10.1111/arcm.13014\",\"RegionNum\":3,\"RegionCategory\":\"地球科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archaeometry","FirstCategoryId":"89","ListUrlMain":"https://doi.org/10.1111/arcm.13014","RegionNum":3,"RegionCategory":"地球科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
Unveiling deception: An approach of the Shroud of Turin's anatomical anomalies and artistic liberties
The authenticity of the Shroud of Turin, also known as the ‘Síndone’ or ‘Holy Shroud’, faces significant doubt based on scientific evidence. Carbon‐14 testing conducted decades ago placed its origin in the Middle Ages, raising questions about its connection to Jesus Christ. This article highlights an anatomical anomaly: the hand placement covering the genitals appears inconsistent with human proportions, suggesting a possible artistic intervention.
期刊介绍：
Archaeometry is an international research journal covering the application of the physical and biological sciences to archaeology, anthropology and art history. Topics covered include dating methods, artifact studies, mathematical methods, remote sensing techniques, conservation science, environmental reconstruction, biological anthropology and archaeological theory. Papers are expected to have a clear archaeological, anthropological or art historical context, be of the highest scientific standards, and to present data of international relevance.
The journal is published on behalf of the Research Laboratory for Archaeology and the History of Art, Oxford University, in association with Gesellschaft für Naturwissenschaftliche Archäologie, ARCHAEOMETRIE, the Society for Archaeological Sciences (SAS), and Associazione Italian di Archeometria.
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