{"title":"奥斯卡-内蒙世界伦理中心","authors":"Daniel Zec","doi":"10.17685/peristil.66.11","DOIUrl":null,"url":null,"abstract":"This paper explores Oscar Nemon’s Center of Universal Ethics project, a visionary but unrealized endeavor within his utopian movement advocating for universal ethics. Drawingheavily from interwar modernist and avant-garde architecture, particularly Russian constructivism, the design resonates with Konstantin Melnikov’s architectural oeuvre. Through comparative analysis, the paper proposes hypotheses regarding the project’s origins and its relationship with Melnikov’s innovative architectural concepts.","PeriodicalId":32443,"journal":{"name":"Peristil","volume":" 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Centar univerzalne etike Oskara Nemona\",\"authors\":\"Daniel Zec\",\"doi\":\"10.17685/peristil.66.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper explores Oscar Nemon’s Center of Universal Ethics project, a visionary but unrealized endeavor within his utopian movement advocating for universal ethics. Drawingheavily from interwar modernist and avant-garde architecture, particularly Russian constructivism, the design resonates with Konstantin Melnikov’s architectural oeuvre. Through comparative analysis, the paper proposes hypotheses regarding the project’s origins and its relationship with Melnikov’s innovative architectural concepts.\",\"PeriodicalId\":32443,\"journal\":{\"name\":\"Peristil\",\"volume\":\" 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-07-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Peristil\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17685/peristil.66.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Peristil","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17685/peristil.66.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This paper explores Oscar Nemon’s Center of Universal Ethics project, a visionary but unrealized endeavor within his utopian movement advocating for universal ethics. Drawingheavily from interwar modernist and avant-garde architecture, particularly Russian constructivism, the design resonates with Konstantin Melnikov’s architectural oeuvre. Through comparative analysis, the paper proposes hypotheses regarding the project’s origins and its relationship with Melnikov’s innovative architectural concepts.
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