2010 年代印尼时尚潮流中穆斯林服饰向摩登服饰的过渡

Tyar Ratuannisa
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摘要

印度尼西亚是世界上穆斯林人口最多的国家,语言、文化和宗教信仰多种多样。印尼的时尚潮流时常与如何通过印尼文化的过滤来接受和内化一种适当的观念有关。从穆斯林服饰中衍生出来的适度穿着不仅是一种生理需求,也是一种身份认同的需求。有两种类型的适度穿着使用者。第一种是将其作为一种身份认同,他们不关心流行趋势,并将继续使用。与此同时,第二种人则是那些选择适度穿着来追赶潮流的人。这种现象提出了一种观点,即对于穆斯林妇女来说,使用谦逊服装的基础是将头巾/吉尔巴袍/克鲁东作为基本服装的一部分。然而,许多人也会临时使用头巾,而且持续时间不长。因此,这种对适度选择的承诺一度成为一种趋势,或者换句话说,头巾的使用并不代表她们的身份。本研究调查了印尼在头巾身份认同方面的非同步变化,以及 2010 年代对适度佩戴的重新诠释,并从同步方面探讨了其中的决定性因素。研究结果显示,印尼的世界事件、经济状况、社会变革、娱乐界、技术创新和时尚领袖等相互关联、相互依存的趋势驱动因素主导了人们对适度穿着的接受。
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The Generalization of Muslim Wear to Modest Wear in 2010s Indonesia’s Fashion Trend
Indonesia is a country with the largest Muslim population in the world and with a diversity of languages, culture, and religious beliefs. From time to time, fashion trends in Indonesia are associated with the process of how an appropriate idea can be accepted and internalized through the filtration of Indonesian culture. Modest wear derived from Muslim wear does not only serve as a physiological fulfilment but also a need for identity. There are two types of modest wear users. The first ones are those who use it as an identity, they do not care about trends and will continue to use them. Meanwhile, the second ones are those who choose modest wear to keep up with the trend. This phenomenon raises an idea that, for a Muslim woman, the basis of clothing using modest wear is to use the hijab/jilbab/kerudung as part of the basic clothing. However, many also use head coverings temporarily and do not last long. Thus, this commitment to modest choices becomes a mere trend at one time or, in other words, the use of hijab does not represent their identity. This study investigates the change in Indonesia regarding hijab identity diachronically and the reinterpretation of modest wear in the 2010s accompanied by the determinant factors viewed from the synchronic aspects. It was revealed that modest wear was acceptable due to the dominant factors of trend drivers that are interconnected and interdependent, namely world events, economic conditions, social change, entertainment world, technological innovation, and fashion leaders in Indonesia.
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PENILAIAN MOTIF BATIK BUAH KEMANG DAN MONYET SURILI SEBAGAI IDENTITAS PAGUYUBAN MOJANG JAJAKA KABUPATEN BOGOR PENILAIAN MOTIF BATIK BUAH KEMANG DAN MONYET SURILI SEBAGAI IDENTITAS PAGUYUBAN MOJANG JAJAKA KABUPATEN BOGOR Studi Visual Escapism Pada Mahasiswa Sebagai Inspirasi Perancangan Artwear Pengaplikasan Kain Lurik Dengan Corak Kinanthi Pada Dress Ready to Wear “Kinanthi Asih” The Generalization of Muslim Wear to Modest Wear in 2010s Indonesia’s Fashion Trend
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