{"title":"我是个女人男人，女人，M-女人。- 马利卡-穆斯塔法短篇小说中的身份、性和身体","authors":"Ikram Ben Talha, Brahim Barhoun","doi":"10.1080/00111619.2024.2391371","DOIUrl":null,"url":null,"abstract":"This article reads Malika Moustadraf’s recently translated collection of short stories as an instance of a new generation of Moroccan female writing that subverts conventional expectations of femal...","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"’’I’m a Woman. Man, Woman, M–Woman.’’ – Identity, Sexuality, and the Body in the Short Fiction of Malika Moustadraf\",\"authors\":\"Ikram Ben Talha, Brahim Barhoun\",\"doi\":\"10.1080/00111619.2024.2391371\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article reads Malika Moustadraf’s recently translated collection of short stories as an instance of a new generation of Moroccan female writing that subverts conventional expectations of femal...\",\"PeriodicalId\":44131,\"journal\":{\"name\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-08-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00111619.2024.2391371\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00111619.2024.2391371","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERATURE","Score":null,"Total":0}
’’I’m a Woman. Man, Woman, M–Woman.’’ – Identity, Sexuality, and the Body in the Short Fiction of Malika Moustadraf
This article reads Malika Moustadraf’s recently translated collection of short stories as an instance of a new generation of Moroccan female writing that subverts conventional expectations of femal...
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Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.
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