{"title":"渴望倾诉:日本帝国的性与自杀。","authors":"J Robertson","doi":"10.1086/495412","DOIUrl":null,"url":null,"abstract":"On February 17, 1935, the humor column of the Asahi Shinbun, a nationally distributed daily newspaper, was devoted to spoofing an attempted lesbian double suicide that had taken place about three weeks earlier. The “feminine” partner was Saijo Eriko, a 23-year-old “woman’s role-player” (musumeyaku) in a popular all-female revue, and the “masculine” partner, 27-year old Masuda Yasumare, an affluent and zealous fan of the actress (figure12.1).1 (Yasumare was a masculine name that she chose for herself; her parents had named her Fumiko.)","PeriodicalId":51382,"journal":{"name":"Signs","volume":"25 1","pages":"1-35"},"PeriodicalIF":1.7000,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/495412","citationCount":"35","resultStr":"{\"title\":\"Dying to tell: sexuality and suicide in Imperial Japan.\",\"authors\":\"J Robertson\",\"doi\":\"10.1086/495412\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"On February 17, 1935, the humor column of the Asahi Shinbun, a nationally distributed daily newspaper, was devoted to spoofing an attempted lesbian double suicide that had taken place about three weeks earlier. The “feminine” partner was Saijo Eriko, a 23-year-old “woman’s role-player” (musumeyaku) in a popular all-female revue, and the “masculine” partner, 27-year old Masuda Yasumare, an affluent and zealous fan of the actress (figure12.1).1 (Yasumare was a masculine name that she chose for herself; her parents had named her Fumiko.)\",\"PeriodicalId\":51382,\"journal\":{\"name\":\"Signs\",\"volume\":\"25 1\",\"pages\":\"1-35\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"1999-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1086/495412\",\"citationCount\":\"35\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Signs\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1086/495412\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"WOMENS STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signs","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1086/495412","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"WOMENS STUDIES","Score":null,"Total":0}
Dying to tell: sexuality and suicide in Imperial Japan.
On February 17, 1935, the humor column of the Asahi Shinbun, a nationally distributed daily newspaper, was devoted to spoofing an attempted lesbian double suicide that had taken place about three weeks earlier. The “feminine” partner was Saijo Eriko, a 23-year-old “woman’s role-player” (musumeyaku) in a popular all-female revue, and the “masculine” partner, 27-year old Masuda Yasumare, an affluent and zealous fan of the actress (figure12.1).1 (Yasumare was a masculine name that she chose for herself; her parents had named her Fumiko.)
期刊介绍:
Recognized as the leading international journal in women"s studies, Signs has since 1975 been at the forefront of new directions in feminist scholarship. Signs publishes pathbreaking articles of interdisciplinary interest addressing gender, race, culture, class, nation, and/or sexuality either as central focuses or as constitutive analytics; symposia engaging comparative, interdisciplinary perspectives from around the globe to analyze concepts and topics of import to feminist scholarship; retrospectives that track the growth and development of feminist scholarship, note transformations in key concepts and methodologies, and construct genealogies of feminist inquiry; and new directions essays, which provide an overview of the main themes, controversies.