{"title":"爱德华·伯恩斯的历史","authors":"David J Williams","doi":"10.5210/jbc.v45i1.10822","DOIUrl":null,"url":null,"abstract":"<p><p>Frequently misunderstood because of the history of the time in which it was produced, Eduard Pernkopf's Topographische Anatomie des Menschen nevertheless represents the pinnacle of color anatomic illustration. The more than 800 magnificent watercolor paintings of human anatomy found in Pernkopf's atlas occupied a number of Viennese artists for three decades. This article closely examines the work and its creators.</p>","PeriodicalId":75049,"journal":{"name":"The Journal of biocommunication","volume":"45 1","pages":"e3"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://ftp.ncbi.nlm.nih.gov/pub/pmc/oa_pdf/18/d8/jbc-45-1-e3.PMC9139147.pdf","citationCount":"33","resultStr":"{\"title\":\"The History of Eduard Pernkopf's Topographische Anatomie des Menschen.\",\"authors\":\"David J Williams\",\"doi\":\"10.5210/jbc.v45i1.10822\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Frequently misunderstood because of the history of the time in which it was produced, Eduard Pernkopf's Topographische Anatomie des Menschen nevertheless represents the pinnacle of color anatomic illustration. The more than 800 magnificent watercolor paintings of human anatomy found in Pernkopf's atlas occupied a number of Viennese artists for three decades. This article closely examines the work and its creators.</p>\",\"PeriodicalId\":75049,\"journal\":{\"name\":\"The Journal of biocommunication\",\"volume\":\"45 1\",\"pages\":\"e3\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://ftp.ncbi.nlm.nih.gov/pub/pmc/oa_pdf/18/d8/jbc-45-1-e3.PMC9139147.pdf\",\"citationCount\":\"33\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Journal of biocommunication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5210/jbc.v45i1.10822\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"2021/1/1 0:00:00\",\"PubModel\":\"eCollection\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Journal of biocommunication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5210/jbc.v45i1.10822","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2021/1/1 0:00:00","PubModel":"eCollection","JCR":"","JCRName":"","Score":null,"Total":0}
The History of Eduard Pernkopf's Topographische Anatomie des Menschen.
Frequently misunderstood because of the history of the time in which it was produced, Eduard Pernkopf's Topographische Anatomie des Menschen nevertheless represents the pinnacle of color anatomic illustration. The more than 800 magnificent watercolor paintings of human anatomy found in Pernkopf's atlas occupied a number of Viennese artists for three decades. This article closely examines the work and its creators.
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