美国青年管弦乐团剧目分析

Q1 Arts and Humanities String Research Journal Pub Date : 2019-06-25 DOI:10.1177/1948499219851378
David A. Pope
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引用次数: 4

摘要

这项研究的目的是加深对美国青年管弦乐队表演曲目的理解。通过一项在线调查,青年管弦乐队管理人员(N=39)提供了2015-2016赛季该项目顶级管弦乐队表演曲目的信息。管弦乐队演奏了158位不同作曲家创作的302首不同的乐曲。伊戈尔·斯特拉文斯基(Igor Stravinsky)的《火鸟》(Firebird)、乔治·比才(Georges Bizet)的《卡门组曲一号》(Carmen Suite No.1)以及米哈伊尔·格林卡(Mikhail Glinka)的《鲁斯兰与卢德米拉序曲》(Ruslan and Ludmilla Overture。大约四分之三的作品创作于1850年之后,只有7.14%的作品创作在2000年之后。柴可夫斯基、德沃夏克和勃拉姆斯的作品是演出频率最高的,女性作曲家在2015-2016赛季青年管弦乐队演出的曲目中只占0.78%。指挥应该利用这些发现来推动非男性作曲家确定适合青年管弦乐队的文化多样性曲目。
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An Analysis of the Repertoire Performed by Youth Orchestras in the United States
The purpose of this study was to develop a deeper understanding of repertoire performed by youth orchestras in the United States. Through an online survey, youth orchestra administrators (N = 39) provided information about repertoire performed by their program’s premier orchestra during their 2015-2016 season. Orchestras performed 302 different pieces of music by 158 different composers. The Firebird by Igor Stravinsky, Carmen Suite No. 1 by Georges Bizet, and Ruslan and Ludmilla Overture by Mikhail Glinka were performed most frequently. Approximately three quarters of all compositions were written after 1850, and only 7.14% were composed after 2000. Compositions by Tchaikovsky, Dvorak, and Brahms were the most frequently performed, and female composers only wrote 0.78% of the repertoire performed by youth orchestras during their 2015-2016 season. Conductors should use these findings as an impetus to identify culturally diverse repertoire appropriate for youth orchestras by non-male composers.
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来源期刊
String Research Journal
String Research Journal Arts and Humanities-History
CiteScore
0.40
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9
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