{"title":"贞洁的美德：重塑《伪女》中伊丽莎白形象中的克利奥帕特拉","authors":"Claire Sommers","doi":"10.1086/713982","DOIUrl":null,"url":null,"abstract":"Renaissance 0486-3739/ 1. In-te Turner, in bridge: Ca 2. Beca Blackfriars addition to is also a ch first folio i cludes a lis have joine from the l 1619 is the was not in The False O the date of One, see B North Car Fresh, and neate matter may with ease be fram’d Out of their Stories, that have oft been nam’d With glory on the Stage . . . What wee present and offer to your view, (Upon their Faiths) the Stage yet never knew.","PeriodicalId":53676,"journal":{"name":"Renaissance Drama","volume":"49 1","pages":"101 - 122"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Virtue of Virginity: Remaking Cleopatra in Elizabeth’s Image in The False One\",\"authors\":\"Claire Sommers\",\"doi\":\"10.1086/713982\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Renaissance 0486-3739/ 1. In-te Turner, in bridge: Ca 2. Beca Blackfriars addition to is also a ch first folio i cludes a lis have joine from the l 1619 is the was not in The False O the date of One, see B North Car Fresh, and neate matter may with ease be fram’d Out of their Stories, that have oft been nam’d With glory on the Stage . . . What wee present and offer to your view, (Upon their Faiths) the Stage yet never knew.\",\"PeriodicalId\":53676,\"journal\":{\"name\":\"Renaissance Drama\",\"volume\":\"49 1\",\"pages\":\"101 - 122\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Renaissance Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/713982\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Renaissance Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/713982","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
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摘要
文艺复兴时期0486-1739/1。在特纳，在桥：Ca 2。Beca Blackfriars除此之外，还有一本第一对开本，其中包括一本1619年的细木工作品。这本书不在《假O》中，日期为一，见B North Car Fresh，整洁的东西可以很容易地从他们的故事中抹去，这些故事经常被认为是舞台上的荣耀。你认为（在他们的信仰下）舞台上有什么礼物和提议，但他们永远不知道。
The Virtue of Virginity: Remaking Cleopatra in Elizabeth’s Image in The False One
Renaissance 0486-3739/ 1. In-te Turner, in bridge: Ca 2. Beca Blackfriars addition to is also a ch first folio i cludes a lis have joine from the l 1619 is the was not in The False O the date of One, see B North Car Fresh, and neate matter may with ease be fram’d Out of their Stories, that have oft been nam’d With glory on the Stage . . . What wee present and offer to your view, (Upon their Faiths) the Stage yet never knew.
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