{"title":"漫威《复仇者联盟》系列电影叙事中的现实地缘政治","authors":"N. Novak","doi":"10.51870/cejiss.a150201","DOIUrl":null,"url":null,"abstract":"This article implies that cinematic narratives project practical geopolitical discourses by using the example of Marvel Cinematic Universe’s success – The Avengers film franchise. The conceptualisation of imaginary threats in the films that follow the main storyline of the Avengers assembly, determined by the time and the geographic space, give those threats a symbolical manifestation that tends to overlap with the practical geopolitical notions of American foreign policy, as well as contemporary international politics. The interpretative textual analysis of the films’ narratives and their relations to world politics, hence, presents the central methodology of this article. The relation between those two has a capacity to transmit a subconscious message to blockbusters’ consumers about preferable practical geopolitical visions in contemporary world politics. Simply, the paper shows how cinematic narratives form an identity that is deeply securitised and able to capture the Zeitgeist of world’s politics.","PeriodicalId":38461,"journal":{"name":"Central European Journal of International and Security Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Practical Geopolitics in Cinematic Narratives of Marvel’s The Avengers Film Franchise\",\"authors\":\"N. Novak\",\"doi\":\"10.51870/cejiss.a150201\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article implies that cinematic narratives project practical geopolitical discourses by using the example of Marvel Cinematic Universe’s success – The Avengers film franchise. The conceptualisation of imaginary threats in the films that follow the main storyline of the Avengers assembly, determined by the time and the geographic space, give those threats a symbolical manifestation that tends to overlap with the practical geopolitical notions of American foreign policy, as well as contemporary international politics. The interpretative textual analysis of the films’ narratives and their relations to world politics, hence, presents the central methodology of this article. The relation between those two has a capacity to transmit a subconscious message to blockbusters’ consumers about preferable practical geopolitical visions in contemporary world politics. Simply, the paper shows how cinematic narratives form an identity that is deeply securitised and able to capture the Zeitgeist of world’s politics.\",\"PeriodicalId\":38461,\"journal\":{\"name\":\"Central European Journal of International and Security Studies\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Central European Journal of International and Security Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.51870/cejiss.a150201\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Central European Journal of International and Security Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51870/cejiss.a150201","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Social Sciences","Score":null,"Total":0}
Practical Geopolitics in Cinematic Narratives of Marvel’s The Avengers Film Franchise
This article implies that cinematic narratives project practical geopolitical discourses by using the example of Marvel Cinematic Universe’s success – The Avengers film franchise. The conceptualisation of imaginary threats in the films that follow the main storyline of the Avengers assembly, determined by the time and the geographic space, give those threats a symbolical manifestation that tends to overlap with the practical geopolitical notions of American foreign policy, as well as contemporary international politics. The interpretative textual analysis of the films’ narratives and their relations to world politics, hence, presents the central methodology of this article. The relation between those two has a capacity to transmit a subconscious message to blockbusters’ consumers about preferable practical geopolitical visions in contemporary world politics. Simply, the paper shows how cinematic narratives form an identity that is deeply securitised and able to capture the Zeitgeist of world’s politics.
期刊介绍:
The Central European Journal of International and Security Studies (CEJISS) was founded by Mitchell Belfer (Editor in Chief), David Erkomaishvili (Deputy Editor in Chief), Nigorakhon Turakhanova (Head of the Academic Centre) and Petr Kucera, in December 2006, as an autonomous wing of the Department of International Relations and European Studies at Metropolitan University Prague. The initial goal was to develop, and project globally, a uniquely Central European take on unfolding international and security issues. This entailed an initial “out-reach” programme to attract scholars from throughout the four Central European states – the Czech Republic, Hungary, Poland and the Slovak Republic – to participate in the journal as authors and members of the Editorial and (then) Advisory Boards. By the time of the first issue however, it became clear that CEJISS was also capable of acting as a platform for non-Central European scholars to present their academic research to a more regionalised audience. From issue 1:1 in June 2007 until the present, CEJISS has become, quite literally, a two-way street—it helps Central European scholars enter international academia and international scholars enter Central Europe.