本·格雷森访谈：从数字采样和挪用到混音和技术的可供性

IF 0.2 Q3 Arts and Humanities Perfect Beat Pub Date : 2019-07-10 DOI:10.1558/prbt.36226

Gene Shill

{"title":"本·格雷森访谈：从数字采样和挪用到混音和技术的可供性","authors":"Gene Shill","doi":"10.1558/prbt.36226","DOIUrl":null,"url":null,"abstract":"In this Riff article, Gene Shill speaks to Australian musician Ben Grayson, the founding member of The Bamboos and internationally acclaimed session keyboardist and electronic music producer. The conversation covers crate digging, sampling, ownership, authorship, musicianship, approaches to creating electronic music and how the affordances of technology assist the creative process.","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology\",\"authors\":\"Gene Shill\",\"doi\":\"10.1558/prbt.36226\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this Riff article, Gene Shill speaks to Australian musician Ben Grayson, the founding member of The Bamboos and internationally acclaimed session keyboardist and electronic music producer. The conversation covers crate digging, sampling, ownership, authorship, musicianship, approaches to creating electronic music and how the affordances of technology assist the creative process.\",\"PeriodicalId\":41217,\"journal\":{\"name\":\"Perfect Beat\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-07-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Perfect Beat\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/prbt.36226\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perfect Beat","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/prbt.36226","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}

引用次数: 0

摘要

在这篇Riff文章中，Gene Shill采访了澳大利亚音乐家Ben Grayson，他是the bamboo的创始成员，也是国际知名的会话键盘手和电子音乐制作人。对话涵盖板条箱挖掘，采样，所有权，作者，音乐，方法来创造电子音乐和技术的支持如何协助创作过程。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文

微信好友朋友圈 QQ好友复制链接

本刊更多论文

An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology

In this Riff article, Gene Shill speaks to Australian musician Ben Grayson, the founding member of The Bamboos and internationally acclaimed session keyboardist and electronic music producer. The conversation covers crate digging, sampling, ownership, authorship, musicianship, approaches to creating electronic music and how the affordances of technology assist the creative process.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助