Pâte Coulante的艺术家框架:历史、设计和方法

IF 0.2 2区 艺术学 0 ART METROPOLITAN MUSEUM JOURNAL Pub Date : 2021-01-01 DOI:10.1086/718042
Peter Mallo
{"title":"Pâte Coulante的艺术家框架:历史、设计和方法","authors":"Peter Mallo","doi":"10.1086/718042","DOIUrl":null,"url":null,"abstract":"Paris and London, methods for presenting exhibitions were undergoing a major reconsideration, and frames from this era began to take on a new role both visually and conceptually. This development was driven by artists to indicate that their works represented a new kind of vision. Many original frames have disappeared from the walls of private collections and museums, but it is possible to piece together concept and approach through photographs, treatises, drawings, catalogues, and a few precious extant frames. This study focuses on artistdesigned frames at the end of the nineteenth century with a particular emphasis on a material known as pâte coulante, unique in its ability to render extraordinary profiles, some of which could not have been realized by any Artists’ Frames in Pâte Coulante: History, Design, and Method","PeriodicalId":42073,"journal":{"name":"METROPOLITAN MUSEUM JOURNAL","volume":"56 1","pages":"160 - 173"},"PeriodicalIF":0.2000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Artists’ Frames in Pâte Coulante: History, Design, and Method\",\"authors\":\"Peter Mallo\",\"doi\":\"10.1086/718042\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Paris and London, methods for presenting exhibitions were undergoing a major reconsideration, and frames from this era began to take on a new role both visually and conceptually. This development was driven by artists to indicate that their works represented a new kind of vision. Many original frames have disappeared from the walls of private collections and museums, but it is possible to piece together concept and approach through photographs, treatises, drawings, catalogues, and a few precious extant frames. This study focuses on artistdesigned frames at the end of the nineteenth century with a particular emphasis on a material known as pâte coulante, unique in its ability to render extraordinary profiles, some of which could not have been realized by any Artists’ Frames in Pâte Coulante: History, Design, and Method\",\"PeriodicalId\":42073,\"journal\":{\"name\":\"METROPOLITAN MUSEUM JOURNAL\",\"volume\":\"56 1\",\"pages\":\"160 - 173\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"METROPOLITAN MUSEUM JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/718042\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"METROPOLITAN MUSEUM JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/718042","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

摘要

在巴黎和伦敦,展示展览的方法正在经历重大的反思,这个时代的框架开始在视觉和概念上扮演新的角色。这种发展是由艺术家推动的,以表明他们的作品代表了一种新的视野。许多原始画框已经从私人收藏和博物馆的墙壁上消失了,但是可以通过照片,论文,图纸,目录和一些珍贵的现存画框来拼凑概念和方法。本研究的重点是19世纪末艺术家设计的框架,特别强调一种被称为特库伦特(pte coulante)的材料,它具有独特的能力,可以呈现出非凡的轮廓,其中一些是任何艺术家在《特库伦特:历史、设计和方法》中都无法实现的
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Artists’ Frames in Pâte Coulante: History, Design, and Method
Paris and London, methods for presenting exhibitions were undergoing a major reconsideration, and frames from this era began to take on a new role both visually and conceptually. This development was driven by artists to indicate that their works represented a new kind of vision. Many original frames have disappeared from the walls of private collections and museums, but it is possible to piece together concept and approach through photographs, treatises, drawings, catalogues, and a few precious extant frames. This study focuses on artistdesigned frames at the end of the nineteenth century with a particular emphasis on a material known as pâte coulante, unique in its ability to render extraordinary profiles, some of which could not have been realized by any Artists’ Frames in Pâte Coulante: History, Design, and Method
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
期刊最新文献
New Insights into Filippo Lippi’s Alessandri Altarpiece Malachite Networks: The Demidov and Medici Vases-Torchères in The Met John Kay’s Watercolor Drawing John Campbell (1782) Hearing Witness: The Wičhówoyake of Matȟó Nážiŋ’s Little Bighorn Muslins New Evidence for the Origins of a Royal Copper Head from the Ancient Near East
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1