Art and Archaeology

My first title in fact comprises two independent books. Within a section dedicated to Graeco-Roman art and archaeology, the subject may come as something of a surprise: the case study is not ‘Greek’ or ‘Roman’, nor does it derive from the extended Mediterranean. Rather, From Memory to Marble analyses the Voortrekker Monument in Pretoria, inaugurated in 1949. Elizabeth Rankin and Rolf Michael Schneider have delivered a pair of volumes almost as monumental as the installation they describe, the first examining the context, origin, and legacy of the building's frieze, the second cataloguing its twenty-seven scenes. One of the many remarkable aspects of these two books is that both have been made available as free downloads. But what really stands out in the analysis is the ‘unconditional collaboration’ (5) between an art historian and a classical archaeologist: on the one hand, the project showcases how a broader art-historical training can enrich the traditional sorts of questions posed by classical archaeology, especially when it comes to issues of pictorial narrative; on the other, it demonstrates what classical archaeological formalism can offer to contemporary art history, and indeed larger debates about cultural history and contemporary identity politics. The result will be essential reading for anyone concerned with the legacy of classical ideas and imagery in South Africa.