音乐作为认知结构:从声音体验到音乐感觉

IF 0.2 4区 艺术学 Q2 Arts and Humanities LEONARDO MUSIC JOURNAL Pub Date : 2020-03-16 DOI:10.1162/lmj_a_01082
M. Reybrouck
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引用次数: 2

摘要

在实时聆听情境中对音乐采取认识论立场需要将音乐定义为一种时间和声音艺术。这意味着音乐不能被抽象和超然地描述为虚拟空间中“在那里”的东西,而是在现实的“此时此地”冲击我们的感官的东西。因此,音乐意义的形成应该被认为是一种持续的知识构建,在实际感觉和声音事件的心理表征之间存在动态张力。在这方面可以考虑四个主要的二分法:声音的焦点与概要概述,声音的连续/离散处理,感官体验与认知经济之间的区别,以及时间内/时间外的区别。作者认为,有意地将这些不同的方法结合起来,可以使音乐体验更加丰富。
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Music as Epistemic Construct: From Sonic Experience to Musical Sense-Making
Abstract Taking an epistemological stance towards music in a real-time listening situation entails a definition of music as a temporal and sounding art. This means that music cannot be described in abstract and detached terms as something “out there” in a virtual space but rather as something that impinges upon our senses in an actual “here and now.” Musical sense-making, therefore, should be considered a kind of ongoing knowledge construction with a dynamic tension between actual sensation and mental representation of sounding events. Four major dichotomies may be considered in this regard: the focal versus synoptic overview of the sounding music, the continuous/discrete processing of the sounds, the distinction between sensory experience versus cognitive economy, and the in-time/outside-of-time distinction. The author argues that a deliberate combination of these diverging approaches makes the musical experience a richer one.
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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