{"title":"萨尔曼博士正在拜访他的家人","authors":"Nick Richards","doi":"10.29375/01237047.4313","DOIUrl":null,"url":null,"abstract":"When Dr Salman sent me some reference photos, I instantly knew I had to choose the photo this painting is based on - although it was a complex scene with several figures, the narrative it presented was very powerful and emotional. I wanted to avoid sentimentality, and I think that the bold impasto technique I used, with thick oil paint and a large brush, helped with this. It was mostly about conveying raw emotion in an expressive way, without including lots of detail. Also making it an easily readable image just using loose brushstrokes, without delineating everything was a real challenge. I hope I succeeded. \n","PeriodicalId":32336,"journal":{"name":"Medunab","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dr Salman visiting his family\",\"authors\":\"Nick Richards\",\"doi\":\"10.29375/01237047.4313\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"When Dr Salman sent me some reference photos, I instantly knew I had to choose the photo this painting is based on - although it was a complex scene with several figures, the narrative it presented was very powerful and emotional. I wanted to avoid sentimentality, and I think that the bold impasto technique I used, with thick oil paint and a large brush, helped with this. It was mostly about conveying raw emotion in an expressive way, without including lots of detail. Also making it an easily readable image just using loose brushstrokes, without delineating everything was a real challenge. I hope I succeeded. \\n\",\"PeriodicalId\":32336,\"journal\":{\"name\":\"Medunab\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Medunab\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29375/01237047.4313\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Nursing\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Medunab","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29375/01237047.4313","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Nursing","Score":null,"Total":0}
When Dr Salman sent me some reference photos, I instantly knew I had to choose the photo this painting is based on - although it was a complex scene with several figures, the narrative it presented was very powerful and emotional. I wanted to avoid sentimentality, and I think that the bold impasto technique I used, with thick oil paint and a large brush, helped with this. It was mostly about conveying raw emotion in an expressive way, without including lots of detail. Also making it an easily readable image just using loose brushstrokes, without delineating everything was a real challenge. I hope I succeeded.