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引用次数: 1
摘要
本文描述了艺术家Anicka Yi的公共艺术装置In Love With the World,它体现了物理空间中由自主主体组成的复杂虚拟生态系统。这种被称为“需氧菌”的生物受到水母生命周期的启发,并使用作者设计的人工生命技术来模拟两种不同表型的行为。这些代理人在泰特现代美术馆的涡轮大厅中使用比空气轻的软体机器人,利用氦气,可以通过嵌入空间的传感器对博物馆游客做出反应。通过创造能够实时交互的有机外观的完全自主代理,我们希望创造一种体验,让观众质疑在遥远的未来与机器生活在一起会是什么感觉,并想象一种替代形式的人工智能,它既不会威胁到人类,也不会屈从于人类,而是作为一种新的生命形式存在于完全平行的轨道上。
This paper describes the public art installation In Love With The World by artist Anicka Yi, which embodies a complex virtual ecosystem of autonomous agents in a physical space. The agents, called Aerobes, are inspired by the lifecycle of the Aurelia sp. jellyfish, and use artificial life techniques designed by the authors to simulate the behavior of two distinct phenotypes. These agents are embodied in the Tate Modern's Turbine Hall using lighter-than-air soft robotics utilizing helium that can respond to museum visitors through sensors embedded in the space. By creating organic-looking fully autonomous agents that are capable of real-time interaction, we hope to create an experience that causes viewers to question what living with machines might feel like in a speculative far-future, and to imagine an alternative form of artificial intelligence that is neither threatening to humanity nor subservient to it, but exists in an altogether parallel track as a new form of life.