洛奇·阿莫尼:遗址的意义与美学

IF 0.2 4区 艺术学 0 ARCHITECTURE Architectural Theory Review Pub Date : 2021-09-02 DOI:10.1080/13264826.2021.2023341
Bart Verschaffel
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引用次数: 0

摘要

对地点的感知和审美体验涉及到对被认为是一个地点的欣赏。它以可读性为前提。一个地方在这里,周围是其他类似的地方,在那里。在其他地方,总是有一个腹地:在我的世界之外,就是世界。一个人只能想象世界,但世界可以在这里宣布自己,作为我们有效感知的一个方面或元素,比如对远处或地平线的看法。此外,当场所和世界的相互作用的成功结构为美学观点提供了一种形象时,一个(有意义的)环境获得了一种美学品质:当场地被认为是“可爱的地方”的“topos”的典范时,或者是一个伟大的地方:一个封闭的、秘密的花园(“天堂”),或者是一个“遥远的房子”。
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Loci Amoeni: The Meaning and Aesthetics of Sites
Abstract The perception and aesthetic experience of places concerns the appreciation of what is recognised as a site. It presupposes readability. A place is here, surrounded by other, similar places, that are there. Beyond, elsewhere, there is always a hinterland: beyond my world, is the World. One can only imagine the World, but the World can announce itself here, as an aspect or element of what we effectively perceive, such as a view onto a distance or the horizon. A (meaningful) environment acquires, moreover, an aesthetic quality when the successful structuring of the interplay of Place and World suggests an image to the aesthetic view: when the site is recognised as exemplifying the “topos” of a “lovely place,” or a locus amoenus: an enclosed, secret garden (“paradise”), or a “House before the Distant.”
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