杰森·雷诺兹的青少年小说传达了什么样的情感?情感分析

T. M. Haghanikar, Elena Filatova
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摘要

“儿童读物的全白人世界”(Larrick, 1965)仍然以白人为主,严重偏向一个方向。黑人儿童要么完全没有出现在书中,要么在故事中被歪曲了。尽管在过去的几年里,出版的非裔美国人书籍有了显著的增长,但“有色人种的角色[经常]局限于偶尔出现的与民权和奴隶制遗产有关的历史书籍的城镇”(Myers, 2014)。这些角色“从来没有得到一张通行证来穿越冒险、好奇、想象力或个人成长的土地”(Myers, 2014)。在本文中,我们以非裔美国青年成人书籍为重点,展示了自然语言处理(NLP)和情感分析如何作为替代工具来识别各种青少年小说中的情感模式。我们遵循Mohammad(2012)提出的情绪分析方法,并使用手动创建的包含Plutchik的八种基本情绪的词汇。此外,我们测量了情绪词的使用在我们所选书籍的过程中是如何变化的,并展示了基本八种情绪的流动以及与样本书中情绪词相关的情绪。
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What Emotions Jason Reynolds’ Young Adult Novels Convey? A Sentiment Analysis
“The All-White world of children’s books” (Larrick, 1965) is still mainly White and heavily skewed in one direction. Black children are either entirely absent from the books or misrepresented in the stories. Although there has been a notable increase in publishing African American books over the past several years, “characters of color are [often] limited to the townships of occasional historical books that concern themselves with the legacies of civil rights and slavery” (Myers, 2014). These characters “are never given a pass card to traverse the lands of adventure, curiosity, imagination or personal growth” (Myers, 2014). With a focus on African American Young Adult books, in this paper, we show how Natural Language Processing (NLP) and sentiment analysis can be used as alternate tools to identify emotional patterns in diverse YA novels. We follow the approach for emotion analysis suggested by Mohammad (2012) and use manually created lexicons that contain Plutchik’s eight basic emotions. Also, we measure how the use of the emotion words changes through the course of our selected books and demonstrate the flow of the basic eight emotions as well as the sentiment associated with the emotion words in the sample books.
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