Bertillon, ravachhol和警察肖像的爆炸性潜力

IF 0.3 2区艺术学 0 ART History of Photography Pub Date : 2021-10-02 DOI:10.1080/03087298.2021.2145708

Zeynep Devrim Gürsel

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引用次数: 0

摘要

自从20世纪80年代出版的几本关键文本要求学术界关注压制性和尊称性肖像以来，Alphonse Bertillon的身份识别系统就在摄影史上占据了一席之地。这篇文章聚焦于Bertillon最引人注目的成就，这导致了他的技术在世界范围内被采用：1892年逮捕并确认了著名的无政府主义者Ravachol。在欧洲无政府主义的鼎盛时期，拉瓦乔的身份成为了一场关于国家和无政府主义者形象的激烈斗争。

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Bertillon, Ravachol and the Explosive Potential of Police Portraiture

Alphonse Bertillon’s system of identification has taken a place in the canon of photographic history ever since several key texts published in the 1980s demanded scholarly attention to repressive as well as honorific portraits. This article focuses on Bertillon’s most spectacular accomplishment, which resulted in the worldwide adoption of his techniques: the 1892 arrest and identification of the famed anarchist Ravachol. Ravachol’s identification became a highly publicised struggle over the image of both the state and the anarchist during the height of anarchism in Europe.

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来源期刊

History of Photography ART-

CiteScore

0.30

自引率

50.00%

发文量

期刊介绍： History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.