{"title":"论丹·格雷厄姆：变化中的记忆","authors":"E. D. de Bruyn","doi":"10.1162/octo_a_00456","DOIUrl":null,"url":null,"abstract":"Abstract Written in memory of Dan Graham, “Memories in Alteration” considers the important legacy of the artist's work, focusing on the topological and paralogical devices that characterize his discursive and artistic practice. The text adumbrates how the multidisciplinary work of Graham—addressing such diverse cultural phenomena as suburbia, 1960s counterculture, television, and punk music—traced the emergence of a postwar “liberal” order of capitalism and its constitutive technologies of colonization and the domestication of social and urban environments.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"121-125"},"PeriodicalIF":0.4000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On Dan Graham: Memories in Alteration\",\"authors\":\"E. D. de Bruyn\",\"doi\":\"10.1162/octo_a_00456\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Written in memory of Dan Graham, “Memories in Alteration” considers the important legacy of the artist's work, focusing on the topological and paralogical devices that characterize his discursive and artistic practice. The text adumbrates how the multidisciplinary work of Graham—addressing such diverse cultural phenomena as suburbia, 1960s counterculture, television, and punk music—traced the emergence of a postwar “liberal” order of capitalism and its constitutive technologies of colonization and the domestication of social and urban environments.\",\"PeriodicalId\":51557,\"journal\":{\"name\":\"OCTOBER\",\"volume\":\"1 1\",\"pages\":\"121-125\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"OCTOBER\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.1162/octo_a_00456\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"OCTOBER","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.1162/octo_a_00456","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract Written in memory of Dan Graham, “Memories in Alteration” considers the important legacy of the artist's work, focusing on the topological and paralogical devices that characterize his discursive and artistic practice. The text adumbrates how the multidisciplinary work of Graham—addressing such diverse cultural phenomena as suburbia, 1960s counterculture, television, and punk music—traced the emergence of a postwar “liberal” order of capitalism and its constitutive technologies of colonization and the domestication of social and urban environments.
期刊介绍：
At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.
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