{"title":"马可·布拉格和塔蒂安娜·巴甫洛娃:两个戏剧世界的对比","authors":"M. Cambiaghi","doi":"10.13130/2240-9599/8699","DOIUrl":null,"url":null,"abstract":"In the twenties the playwright and stage director Marco Praga became a dramatic critic on the “Illustrazione italiana”. In his incisive production an interesting section is devoted to Tatiana Pavlova, a Russian actress who started performing in Italy in 1923, and gradually introduced a new concept of acting and show.Referring to reviews and pictures, this article investigates two different points of view about theatre, the relationship between text and stage, performance and further components of the show.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2017-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Marco Praga e Tatiana Pavlova: due mondi teatrali a confronto\",\"authors\":\"M. Cambiaghi\",\"doi\":\"10.13130/2240-9599/8699\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the twenties the playwright and stage director Marco Praga became a dramatic critic on the “Illustrazione italiana”. In his incisive production an interesting section is devoted to Tatiana Pavlova, a Russian actress who started performing in Italy in 1923, and gradually introduced a new concept of acting and show.Referring to reviews and pictures, this article investigates two different points of view about theatre, the relationship between text and stage, performance and further components of the show.\",\"PeriodicalId\":53793,\"journal\":{\"name\":\"Lebenswelt-Aesthetics and Philosophy of Experience\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2017-07-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Lebenswelt-Aesthetics and Philosophy of Experience\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13130/2240-9599/8699\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Lebenswelt-Aesthetics and Philosophy of Experience","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13130/2240-9599/8699","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
Marco Praga e Tatiana Pavlova: due mondi teatrali a confronto
In the twenties the playwright and stage director Marco Praga became a dramatic critic on the “Illustrazione italiana”. In his incisive production an interesting section is devoted to Tatiana Pavlova, a Russian actress who started performing in Italy in 1923, and gradually introduced a new concept of acting and show.Referring to reviews and pictures, this article investigates two different points of view about theatre, the relationship between text and stage, performance and further components of the show.
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