想象美德:中世纪和近代早期历史

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES Pub Date : 2022-09-01 DOI:10.1215/10829636-9966051
David Aers, Sarah Beckwith
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引用次数: 0

摘要

从亚里士多德到路德,美德传统是道德实践的典范。这种传统将生活的实践与善的愿景联系起来,在后来的基督教版本中,是上帝。一个人通过练习变得很好,就像一个竖琴师通过有纪律的锻炼习惯弹得很好一样。在阿拉斯代尔·麦金太尔对哲学和思想史的非凡挖掘中,宗教改革在他从亚里士多德到休谟乃至更远的道路上被基本上忽略了。本期特刊试图将宗教改革重新置于画面中,并看看可能因此打开哪些途径。文章探讨了古代和中世纪的习惯、实践和美德的概念化以及宗教改革时期仪式、圣礼、教会、神学和伦理实践的复杂重组所产生的美德传统。这期的文章探讨了宗教改革的各个方面,在这些方面,美德传统被维持、改变或拒绝。
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Imagining the Virtues: Medieval and Early Modern Histories
The tradition of the virtues was the model for moral practice from Aristotle to Luther. This tradition framed practices of living well in relation to visions of the good, and in its later Christian version, of God. One became good through practice, just as a harpist might play well through disciplined habits of exercise. In Alasdair MacIntyre's extraordinary excavations of philosophy and intellectual history, the Reformation is by and large neglected as he traces a path from Aristotle to Hume and beyond. This special issue seeks to put the Reformation(s) back into the picture and to see what avenues might be opened as a result. Articles explore what happens to ancient and medieval habits, practices, and conceptualizations of virtue and the virtue tradition resulting from the complex reorganizations of ritual, sacramental, ecclesiological, theological, and ethical practices during the Reformation era. The essays in this issue explore various strands of the Reformation in which the virtue tradition is maintained, transformed, or rejected.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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