对La Galatea的Rosaura、Gribalanca和Artandro事件的形式、主题和文本内分析

IF 0.1 3区 文学 0 LITERATURE, ROMANCE ANALES CERVANTINOS Pub Date : 2020-12-02 DOI:10.3989/anacervantinos.2020.007
Juan Ramón Muñoz Sánchez
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引用次数: 0

摘要

《加拉忒亚》的结构,正如其他西班牙牧歌书以及西班牙黄金时代较长的散文作品所断言的那样,以两个不同的叙事层次为特征,一个是主要的,另一个是次要的:主要情节和穿插的情节,其中有四个:利桑德罗和列奥尼达;特奥琳达、阿蒂多罗、列奥纳达和伽勒西奥;Timbrio, Silerio, Nisida和Blanca;还有罗绍拉、格里萨尔多和亚特罗。本研究的主要目的是,从主题和形式上,对第四部作品进行详细的分析,同时建立它们与塞万提斯其他文学作品的文本内关系。
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Análisis formal, temático e intratextual del episodio de Rosaura, Grisaldo y Artandro, de La Galatea
The structure of La Galatea, as it can be asserted for the rest of the Spanish pastoral books as well as for the longer works of prose of the Spanish Golden Age, is characterised by two different narrative levels, one primary and the other secondary: the main plot and the interspersed episodes, of which there are four: Lisandro and Leonida; Teolinda, Artidoro, Leonarda and Galercio; Timbrio, Silerio, Nisida and Blanca; and Rosaura, Grisaldo and Artandro. The main objective of the present study is to conduct a detailed analysis, both thematically and formally, of the fourth of them, while establishing their intratextual relations with the rest of Cervantes’ literary production.
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来源期刊
ANALES CERVANTINOS
ANALES CERVANTINOS LITERATURE, ROMANCE-
CiteScore
0.30
自引率
0.00%
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0
审稿时长
48 weeks
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