数据化与文化遗产:展览与收藏实践的批判视角

IF 0.6 4区 管理学 Q1 HISTORY Information & Culture Pub Date : 2022-02-04 DOI:10.7560/ic57101
K. Hansson, Anna Näslund Dahlgren, Teresa Cerratto Pargman
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引用次数: 0

摘要

日益增长的数字化和新的数据共享实践的出现改变了我们对文化遗产如何定义、收集和展示的理解。我们必须特别注意数字界面对历史的影响。由于文化遗产机构之间和内部的既定结构以及所涉及的网络化公众的特征,众包、社交媒体、链接开放数据和其他开放科学实践对文化遗产机构的现行做法提出了挑战。然而,这些挑战也为更广泛的文化遗产谈判和重新思考什么是文化遗产机构和实践提供了新的机会。本期特刊汇集了来自不同学科的学者,就文化遗产机构的展览和收藏实践的数据化提供批判性和经验基础的观点。
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Datafication and Cultural Heritage: Critical Perspectives on Exhibition and Collection Practices
abstract:The increasing digitization and the emergence of new data-sharing practices change our understanding of how cultural heritage is defined, collected, and exhibited. We must pay particular attention to the ways in which digital interfaces curate history. Crowdsourcing, social media, linked open data, and other open science practices challenge the current practices of cultural heritage institutions, owing to the established structures between and within them and the character of the networked publics involved. However, such challenges also open new opportunities for wider negotiations of cultural heritage and rethinking what cultural heritage institutions and practices are. This special issue brings together scholars from different disciplines to provide critically and empirically grounded perspectives on the datafication of cultural heritage institutions' exhibition and collection practices.
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来源期刊
CiteScore
0.80
自引率
16.70%
发文量
18
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