{"title":"“悲歌”到底是什么?评尼古拉斯·谢伊的《西方歌曲中的下行低音图式与消极情绪》","authors":"Bryn Hughes","doi":"10.18061/emr.v14i3-4.7570","DOIUrl":null,"url":null,"abstract":"This commentary focuses on Shea (2019) and its relationship to much of the literature on popular and rock music. The commentary offers some methodological considerations on the construction of corpora for this type of analysis. The commentary questions the operational definition of 'lament,' and laud's Shea's work in attempting to create a more thorough, objective definition. Ultimately, the commentary concludes that, while Shea's approach is worthwhile, a much larger corpus must be generated in order to draw meaningful conclusions from it.","PeriodicalId":44128,"journal":{"name":"Empirical Musicology Review","volume":"14 1","pages":"182-185"},"PeriodicalIF":0.6000,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"What is a \\\"Lament,\\\" Really?: A Commentary on Nicholas Shea's \\\"Descending Bass Schemata and Negative Emotion in Western Song\\\"\",\"authors\":\"Bryn Hughes\",\"doi\":\"10.18061/emr.v14i3-4.7570\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This commentary focuses on Shea (2019) and its relationship to much of the literature on popular and rock music. The commentary offers some methodological considerations on the construction of corpora for this type of analysis. The commentary questions the operational definition of 'lament,' and laud's Shea's work in attempting to create a more thorough, objective definition. Ultimately, the commentary concludes that, while Shea's approach is worthwhile, a much larger corpus must be generated in order to draw meaningful conclusions from it.\",\"PeriodicalId\":44128,\"journal\":{\"name\":\"Empirical Musicology Review\",\"volume\":\"14 1\",\"pages\":\"182-185\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2020-07-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Empirical Musicology Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18061/emr.v14i3-4.7570\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Empirical Musicology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18061/emr.v14i3-4.7570","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
What is a "Lament," Really?: A Commentary on Nicholas Shea's "Descending Bass Schemata and Negative Emotion in Western Song"
This commentary focuses on Shea (2019) and its relationship to much of the literature on popular and rock music. The commentary offers some methodological considerations on the construction of corpora for this type of analysis. The commentary questions the operational definition of 'lament,' and laud's Shea's work in attempting to create a more thorough, objective definition. Ultimately, the commentary concludes that, while Shea's approach is worthwhile, a much larger corpus must be generated in order to draw meaningful conclusions from it.