{"title":"不让任何人评判：记住卡利普森主义与遏制风险","authors":"D. Lewis","doi":"10.5406/21567417.66.1.08","DOIUrl":null,"url":null,"abstract":"\n When calypsonian Merchant died of HIV-related causes in 1999, his life and death became a conduit for the public discussion of HIV/AIDS in Trinidad and Tobago. Merchant was remembered simultaneously as a womanizing, working-class calypsonian and as a closeted gay man. These public narratives, like narratives of other individuals associated with disease or epidemics, used music to allocate risk to marginalized groups and, by implication, away from much of the general Trinidadian public.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Let No Man Judge: Remembering the Calypsonian and Containing Risk\",\"authors\":\"D. Lewis\",\"doi\":\"10.5406/21567417.66.1.08\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n When calypsonian Merchant died of HIV-related causes in 1999, his life and death became a conduit for the public discussion of HIV/AIDS in Trinidad and Tobago. Merchant was remembered simultaneously as a womanizing, working-class calypsonian and as a closeted gay man. These public narratives, like narratives of other individuals associated with disease or epidemics, used music to allocate risk to marginalized groups and, by implication, away from much of the general Trinidadian public.\",\"PeriodicalId\":51751,\"journal\":{\"name\":\"ETHNOMUSICOLOGY\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ETHNOMUSICOLOGY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/21567417.66.1.08\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ETHNOMUSICOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/21567417.66.1.08","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Let No Man Judge: Remembering the Calypsonian and Containing Risk
When calypsonian Merchant died of HIV-related causes in 1999, his life and death became a conduit for the public discussion of HIV/AIDS in Trinidad and Tobago. Merchant was remembered simultaneously as a womanizing, working-class calypsonian and as a closeted gay man. These public narratives, like narratives of other individuals associated with disease or epidemics, used music to allocate risk to marginalized groups and, by implication, away from much of the general Trinidadian public.
期刊介绍：
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.
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