密码系数我们可以在汉堡港口城市的例子中看到公共空间的碰撞能力

IF 0.2 4区 社会学 Q2 Social Sciences ZEITSCHRIFT FUR VOLKSKUNDE Pub Date : 2021-11-22 DOI:10.31244/zfvk/2021/02.05
Alexa Färber, Heike Derwanz
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引用次数: 0

摘要

城市地区的规划涉及到城市中的人们希望如何最好地相遇的想法。“相遇能力”一词表示实现“社会混合”的社会和物质层面,出现在汉堡哈芬城的反射性规划实践中,以通过规划的公共空间增加相遇的实现。本文探讨了相遇能力的概念和现实。它是基于2015年完成的对城市发展区各地区的委托研究。“相遇的多样性”一词是从人种学观察发展而来,并借鉴了多琳·梅西的作品,指的是在特定意义范围内相遇的多样:睦邻、多事和潮流。高价住房和消费的可能性、专属区域的形象以及特定群体的日常生活节奏都被这些因素选择性地但从未完全抵消。
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Multiplicity of encounters. Zur Begegnungskapazität des öffentlichen Raums am Beispiel der HafenCity Hamburg
The planning of urban districts involves ideas of how people in cities would like to and should best encounter each other. The term “encounter capacity”, which denotes social as well as material dimensions of enabling “social mix”, has emerged in the reflexive planning practice of Hamburg’s HafenCity to increase the realisation of encounters through planned public space. This article explores the conception and reality of encounter capacity. It is based on commissioned research in the districts of the urban development area which were completed in 2015. The term “multiplicity of encounters”, developed from ethnographic observation and borrowed from the work of Doreen Massey, refers to the multiplication of encounters within specific horizons of meaning: neighbourliness, eventfulness and trendiness. The high-priced housing and consumption possibilities, the image of an exclusive district and the group-specific rhythms of everyday life are selectively but never completely cancelled out by these factors.
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Die Wossidlo-Forschungsstelle für Europäische Ethnologie/Volkskunde der Universität Rostock. Entwicklung nach 1990 und gegenwärtige Problemlage Multiplicity of encounters. Zur Begegnungskapazität des öffentlichen Raums am Beispiel der HafenCity Hamburg Johannes Müske/Golo Föllmer/Thomas Hengartner/Walter Leimgruber (Hrsg.): Radio und Identitätspolitiken. Kulturwissenschaftliche Perspektiven Karina Kellner: Fan-Sein als alltägliche und kulturelle Aneignungspraxis. Faszination – Motivation – Rezeption Christian Elster: Pop-Musik sammeln. Zehn ethnografische Tracks zwischen Plattenladen und Streamingportal
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