{"title":"绘画在记忆剧场:重新访问马可·弗拉斯卡里对卡洛·斯卡帕的雷吉亚-马斯蒂奥桥图纸在城堡","authors":"S. Ridgway","doi":"10.1080/20507828.2020.1867801","DOIUrl":null,"url":null,"abstract":"Abstract Studying, teaching and working with Carlo Scarpa (1906–1978) provided the remarkable architect and scholar Marco Frascari (1945–2013) with a unique opportunity to later write about and reveal his insights – of which there are many – into Scarpa’s world of drawing and imagining buildings. With reference to a selection of Frascari’s texts, this essay reexamines two drawings Scarpa made of the bridge between the Reggia and the Mastio tower as part of his remodeling of the Castelvecchio Museum in Verona. Frascari brings to light and situates Scarpa’s imaginative drawing practices in relation to the theater, particularly the memory theater of another former resident of Venice, Giulio Camillo (ca. 1480–1544).","PeriodicalId":42146,"journal":{"name":"Architecture and Culture","volume":"9 1","pages":"407 - 425"},"PeriodicalIF":1.1000,"publicationDate":"2021-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20507828.2020.1867801","citationCount":"0","resultStr":"{\"title\":\"Drawing in a Memory Theater: Revisiting Marco Frascari on Carlo Scarpa’s Reggia – Mastio Bridge Drawings at the Castelvecchio\",\"authors\":\"S. Ridgway\",\"doi\":\"10.1080/20507828.2020.1867801\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Studying, teaching and working with Carlo Scarpa (1906–1978) provided the remarkable architect and scholar Marco Frascari (1945–2013) with a unique opportunity to later write about and reveal his insights – of which there are many – into Scarpa’s world of drawing and imagining buildings. With reference to a selection of Frascari’s texts, this essay reexamines two drawings Scarpa made of the bridge between the Reggia and the Mastio tower as part of his remodeling of the Castelvecchio Museum in Verona. Frascari brings to light and situates Scarpa’s imaginative drawing practices in relation to the theater, particularly the memory theater of another former resident of Venice, Giulio Camillo (ca. 1480–1544).\",\"PeriodicalId\":42146,\"journal\":{\"name\":\"Architecture and Culture\",\"volume\":\"9 1\",\"pages\":\"407 - 425\"},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2021-04-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/20507828.2020.1867801\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Architecture and Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20507828.2020.1867801\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Architecture and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20507828.2020.1867801","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
Drawing in a Memory Theater: Revisiting Marco Frascari on Carlo Scarpa’s Reggia – Mastio Bridge Drawings at the Castelvecchio
Abstract Studying, teaching and working with Carlo Scarpa (1906–1978) provided the remarkable architect and scholar Marco Frascari (1945–2013) with a unique opportunity to later write about and reveal his insights – of which there are many – into Scarpa’s world of drawing and imagining buildings. With reference to a selection of Frascari’s texts, this essay reexamines two drawings Scarpa made of the bridge between the Reggia and the Mastio tower as part of his remodeling of the Castelvecchio Museum in Verona. Frascari brings to light and situates Scarpa’s imaginative drawing practices in relation to the theater, particularly the memory theater of another former resident of Venice, Giulio Camillo (ca. 1480–1544).
期刊介绍:
Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.