Mordmedieringer

Abstract The so-called Torgersen case is one of the most famous murder cases and criminal proceedings in modern Norwegian history, as it started in the late 1950s and still figures in the judicial system, even after the convict’s death. Among the multitude of medial occurrences in the wake of the case we find three dramas, including Finn Iunker’s Det skjendige drapet i skippergata. In this article Iunker’s play is studied in a media archeological perspective, informed by German materialist media theory, focusing on media technology, communication systems, transmission, noise, and meta mediality. A key assertion is that Iunker’s play not only can be studied through the lens of media archeology, but to a certain extent can be read as media archeological excavation of the past, focusing on hypermedial aspects such as noise. Finally, the media archeological approach allows for a brief discussion on drama form and modern media culture.