约翰·阿孔夫拉的《九位缪斯》:解读格里桑的“关系”与量子纠缠

Q3 Arts and Humanities Black Camera Pub Date : 2021-01-01 DOI:10.2979/blackcamera.13.2.04
K. Harrow
{"title":"约翰·阿孔夫拉的《九位缪斯》:解读格里桑的“关系”与量子纠缠","authors":"K. Harrow","doi":"10.2979/blackcamera.13.2.04","DOIUrl":null,"url":null,"abstract":"Abstract:John Akomfrah's film The Nine Muses (2010, United Kingdom) deals with the theme of the journey across the great works of literature. In particular the film sets the works of the Western canon, from Homer's epic Odyssey to Joyce's Malloy, within the visual frame of archival footage dealing with the Windrush Generation, that is, Caribbean Black migration to England following World War II. In counterpoint to that set of visuals Akomfrah has created a futurist set of scenes set in Alaska, and the frozen northlands, to which the concept of exile from the tropical settings of the Caribbean or Africa might seem most extreme. This article will provide an analysis of the journey and exile motifs utilizing the framing of Glissant's notion of Relation, primarily, and secondarily the quantum concept of entanglement.","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"John Akomfrah's The Nine Muses: A Reading with Glissant's \\\"Relation\\\" and Quantum Entanglement\",\"authors\":\"K. Harrow\",\"doi\":\"10.2979/blackcamera.13.2.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:John Akomfrah's film The Nine Muses (2010, United Kingdom) deals with the theme of the journey across the great works of literature. In particular the film sets the works of the Western canon, from Homer's epic Odyssey to Joyce's Malloy, within the visual frame of archival footage dealing with the Windrush Generation, that is, Caribbean Black migration to England following World War II. In counterpoint to that set of visuals Akomfrah has created a futurist set of scenes set in Alaska, and the frozen northlands, to which the concept of exile from the tropical settings of the Caribbean or Africa might seem most extreme. This article will provide an analysis of the journey and exile motifs utilizing the framing of Glissant's notion of Relation, primarily, and secondarily the quantum concept of entanglement.\",\"PeriodicalId\":42749,\"journal\":{\"name\":\"Black Camera\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Black Camera\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/blackcamera.13.2.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Black Camera","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/blackcamera.13.2.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

摘要:约翰·阿科姆弗拉的电影《九位缪斯》(2010年,英国)探讨了穿越伟大文学作品之旅的主题。特别是,这部电影将西方经典的作品,从荷马的史诗《奥德赛》到乔伊斯的《马洛伊》,都设置在档案镜头的视觉框架内,这些镜头涉及风信一代,即二战后加勒比海黑人移民到英国。与这组视觉效果形成对比的是,Akomfrah创造了一组以阿拉斯加和冰冻的北方为背景的未来主义场景,对这些场景来说,从加勒比海或非洲的热带环境流亡的概念可能是最极端的。本文将利用Glissant的关系概念,主要是纠缠的量子概念,对旅程和流放主题进行分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
John Akomfrah's The Nine Muses: A Reading with Glissant's "Relation" and Quantum Entanglement
Abstract:John Akomfrah's film The Nine Muses (2010, United Kingdom) deals with the theme of the journey across the great works of literature. In particular the film sets the works of the Western canon, from Homer's epic Odyssey to Joyce's Malloy, within the visual frame of archival footage dealing with the Windrush Generation, that is, Caribbean Black migration to England following World War II. In counterpoint to that set of visuals Akomfrah has created a futurist set of scenes set in Alaska, and the frozen northlands, to which the concept of exile from the tropical settings of the Caribbean or Africa might seem most extreme. This article will provide an analysis of the journey and exile motifs utilizing the framing of Glissant's notion of Relation, primarily, and secondarily the quantum concept of entanglement.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Black Camera
Black Camera FILM, RADIO, TELEVISION-
CiteScore
0.30
自引率
0.00%
发文量
0
期刊最新文献
Editor’s Notes Dossier: Spectacles of Anti-Black Violence and Contemporary Black Horror Dune (review) “That’s the Difference, I Am Fully Engaged With Art”: Renée Baker on the Practice of Scoring Silent Film and the Matter of “Race Movies” A Wide Shot: Expanding the Frame on Melvin Van Peebles
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1