{"title":"“自然照明和彩色涂料。是历史的圣玛丽大教堂Tarazona果园里(XIII-XXI世纪)、Carmen gomez Urdáñez”","authors":"Daniel Benito Goerlich","doi":"10.24197/bsaaa.86.2020.445-448","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Iluminaciones naturales y revestimientos cromáticos. Historia de los acabados de la catedral de Santa María de la Huerta de Tarazona (siglos XIII-XXI)\\\", de Carmen Gómez Urdáñez\",\"authors\":\"Daniel Benito Goerlich\",\"doi\":\"10.24197/bsaaa.86.2020.445-448\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":36681,\"journal\":{\"name\":\"BSAA Arte\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BSAA Arte\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24197/bsaaa.86.2020.445-448\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BSAA Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24197/bsaaa.86.2020.445-448","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
"Iluminaciones naturales y revestimientos cromáticos. Historia de los acabados de la catedral de Santa María de la Huerta de Tarazona (siglos XIII-XXI)", de Carmen Gómez Urdáñez