英雄主义、反抗与情感:两个充满贝多芬戏剧色彩的事件

IF 0.1 3区 艺术学 Q4 Arts and Humanities Studia Musicologica Pub Date : 2021-04-13 DOI:10.1556/6.2020.00006
Alexandros Charkiolakis
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引用次数: 0

摘要

贝多芬的音乐在人类历史上不同的事件中奠定了基调。它被用来精确地指出重大的历史事件,但它也被用来代表诸如国家友谊、自由等思想。不过,对于雅典公众来说,甜菜霍的音乐不仅仅是一首优美而光荣的曲子,还有两件事。这两件事发生在完全不同的情况下,第一次是第二次世界大战期间在被占领的雅典发生的费德里奥演出的事件,第二次是与传奇指挥家迪米特里·米特罗普洛斯的去世有关,他的骨灰瓮到达雅典。虽然这两件事在历史上没有联系,但它们在实际乐谱中所代表的贝多芬价值观中得到了极大的强调。在本研究中,我将呈现这两个事件的历史框架,但也采取进一步的措施,将敢于将这些与贝多芬音乐的基本表现形式的价值联系起来。
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Heroism, Resistance, and Sentiment: Two Events Full of Beethovenian Drama
Beethoven’s music has set the tone during different and diverse events in human history. It has been used in order to pinpoint major historical events, but it has been also used in order to represent ideas such as friendship of nations, freedom, and many others. There are two events though when the music of Beet­ ho ven has meant more than a fine and glorious tune for the Athenian public. These two events occurred under totally different circumstances, with the first being an incident involving a Fidelio performance during World War II in occupied Athens, and the second having to do with the death of the legendary conductor Dimitri Mitropoulos and his urn containing his ashes arriving in Athens. Although the two incidents are historically unconnected, they are very much underlined by the Beethovenian values rep­ resented within the actual score. In this study, I will present the historical framework of both events but also taking a step further will dare to connect these with values that have been attributed to Beethoven’s music in terms of fundamental representation.
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来源期刊
Studia Musicologica
Studia Musicologica Arts and Humanities-Music
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