{"title":"保罗·德·马蒂斯，莫扎特剧院的音乐和手势。《费加罗的婚礼》，卢卡，林，2020年","authors":"N. Badolato","doi":"10.6092/ISSN.2039-9715/11937","DOIUrl":null,"url":null,"abstract":"This review considers the volume Musica e gesto nel teatro mozartiano. Le didascalie nelle \"Nozze di Figaro\" by Paolo De Matteis (Lucca, LIM, 2020). This is an examination that follows in the wake of the numerous studies addressing gestural expression in opera music, in this case applied to Mozart's Nozze di Figaro. The author carries out an in-depth analysis of the relationship between libretto and score in regard to the explicit and implicit stage, proxemic and gestural captions.","PeriodicalId":30273,"journal":{"name":"Musica Docta","volume":"10 1","pages":"177-178"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Paolo De Matteis, Musica e gesto nel teatro mozartiano. Le didascalie musicali nelle “Nozze di Figaro” , Lucca, LIM, 2020\",\"authors\":\"N. Badolato\",\"doi\":\"10.6092/ISSN.2039-9715/11937\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This review considers the volume Musica e gesto nel teatro mozartiano. Le didascalie nelle \\\"Nozze di Figaro\\\" by Paolo De Matteis (Lucca, LIM, 2020). This is an examination that follows in the wake of the numerous studies addressing gestural expression in opera music, in this case applied to Mozart's Nozze di Figaro. The author carries out an in-depth analysis of the relationship between libretto and score in regard to the explicit and implicit stage, proxemic and gestural captions.\",\"PeriodicalId\":30273,\"journal\":{\"name\":\"Musica Docta\",\"volume\":\"10 1\",\"pages\":\"177-178\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Musica Docta\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.6092/ISSN.2039-9715/11937\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musica Docta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/ISSN.2039-9715/11937","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这篇评论考虑了莫扎特歌剧的音乐gesto nel teatro。Paolo De Matteis的《Nozze di Figaro》(卢卡，LIM, 2020)。这是继对歌剧音乐中手势表达的大量研究之后的一项研究，在这种情况下应用于莫扎特的《费加罗之歌》。作者从显性和隐性舞台解说、体裁解说和手势解说等方面对剧本与配乐的关系进行了深入的分析。
Paolo De Matteis, Musica e gesto nel teatro mozartiano. Le didascalie musicali nelle “Nozze di Figaro” , Lucca, LIM, 2020
This review considers the volume Musica e gesto nel teatro mozartiano. Le didascalie nelle "Nozze di Figaro" by Paolo De Matteis (Lucca, LIM, 2020). This is an examination that follows in the wake of the numerous studies addressing gestural expression in opera music, in this case applied to Mozart's Nozze di Figaro. The author carries out an in-depth analysis of the relationship between libretto and score in regard to the explicit and implicit stage, proxemic and gestural captions.
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